Each of us is acting with our lives

Charlie 2022-04-20 09:01:41

The first time I saw this movie, I just saw a paragraph, and that paragraph was about alma telling elizabeth a story of her unfortunate past. At the time, I just thought that this paragraph was too explicit, and even made people shy and scared; I didn't really understand why alma was talking, but beth was silent. At that time, the teacher asked us to study a one-man show. I didn't understand the monologue, let alone the plot. But now, it seems that this is obviously the fault of the teacher at that time. This movie is definitely not able to understand and feel just by watching one paragraph.

The second time I saw it, last week, was also in a class that taught "Experimental Movie Scripting".

"Characters and Titles"

There are still no subtitles, but I can actually feel the connection, fusion, and transformation between the two heroines. This movie needs to be relived and watched over and over again. Because the story told by the lines is actually not the most important. The most important thing is the identity of the two heroines. The translation of the name "Masquerade" is good, but it is not good. persona represents an identity. Beth was an excellent actress until she was admitted to the hospital; she played different roles throughout her life. Because of the wrong line, he was silent. It was as if a character had been hit the pause button. As a nurse at the hospital, alma has a cheerful disposition and is very concerned about beth when she speaks out. What the two of them showed, one was indifference and the other active. Alma is very expressive and tells us the story of his life through his lines. And beth either ignored it, or just showed a little bit of expression. The beginning and end of the film about the little boy tell us about a final fusion between the two heroines. Therefore, I think, alma symbolizes a role of beth, an identity. But after all, it is only one of his acting career, so the name "Masquerade" is all about the stripping of identity. This kind of character structure seems to take our inner self and outer image style out.

"Lens and Elements"

The most impressive scene in this film: when alma fell into a deep sleep, beth was wearing a white dress, smiling like a ghost floating into her room. Afterwards, beth kisses alma. The light should come from outside the window, but the interior is really dark. The three rooms are connected in the shape of a V, as if the room where alma is located is the backstage, and the room with a lot of light is the stage of our life.

There is another scene that is impressive in another way, a visual shock: the two heroines stand in tandem, Beth's hair wrapped around alma's face - alma's face is covered, But Beth's is exposed. Is this a kind of alternation of identities? Who am I, where am I, in what way, or should I let out my inner self.

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Extended Reading

Persona quotes

  • Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?

  • Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?