Bergman's great invention image language

Kimberly 2022-04-20 09:01:41

Continuous Bergman's movies, I was really shocked when I watched "Masquerade". It is a movie that made me feel "open". In recent days, I have drawn the curtains, faced the screen, and watched and looked forward to it all the time. Yes, I felt it in "Masquerade".

Short hair and long hair, silence and chatter, two selves.

The filming at the beginning and the end of the film and the close-up of the actress at the shooting location are the real time. One second in the heart is a thousand years in the world. An hour-and-a-half of entanglements may be all our inner thoughts, and Bergman visualizes the inner entanglements and struggles. The composition of the shooting is a must, the ranking of the two people, Yasujiro Ozu should have learned to imitate Bergman.

The greatness of Bergman is really expressed in images, the yin and yang faces are switched by the frontal bright light, and there is no need for words at this moment.

Scene 1 The background music of the sound of water droplets, the rhythm switching of the close-up of the human body, the close-up of the face and hands occupy the entire screen, and the ups and downs of the human face are like hills.

Scene 2 The seaside reef freezes and switches, scattered with messy stones. With the lines "Elizabeth, can I read you a book? As we know, our inherent anxiety, all our broken dreams, inexplicable cruelty, fear of death, and profound insight into worldly pain, and shattered Our otherworldly hope. The cry of faith and doubt in our hearts against faith and silence is the best proof of our doubts and fears." The broken rock at this moment is the truest and most cruel portrayal of the heart, not just divided into two , and the gravel, none of which was sharp enough to stab us.

As the person who helps herself, the person who changes herself, the person who helps you change the status quo, the person who wants you to be "good", her talk and pure self-disclosure, some words are very healing. A strong calling to dedicate your life to believing in one thing and doing it, thinking that your life has meaning because of it, and I like that, and stick to it no matter what, so that you are important to others.”

But does accepting the call, believing, and persevering ultimately mean what matters to others?

"I want to change, but I'm too lazy."

Mask (1966)
8.8
1966 / Sweden / Drama Thriller / Ingmar Bergman / Bibi Andersson Liv Uhmann

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Extended Reading

Persona quotes

  • Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?

  • Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?