do not die. Hank made Manny feel that "hair standing on the back of his neck" again, a chill when love came. But Hank couldn't accept himself, he was weird, perverted, lonely. Sitting He was pale and puffy on the bus pretending to be nonchalant, a typical red neck, but he is also romantic. And when a romantic soul lives in an ordinary body, it will only bring endless fantasies and embarrassment and pain after the fantasies fade away. He's had a terrible life, his life is a cold poop, not even fresh, a poop that's no longer warm after 10,000 hesitations and even flies won't succumb. He still hoped she'd see the dung's shining side in the sun. There's a theory in "Mummy": the Dobler-Dahmer theory, "If both parties have a crush on each other, a big romantic offensive can be effective, such as Lloyd Dobler in "The Deepest Love" , holding a large tape recorder outside Diane Collint's window, but as long as one party isn't interested, the same romance can morph into serial killer madness, in other words, like Dummer. The offense is charming or scary, depending on The audience's reaction." When she saw the photos on her phone and came into the woods behind the house, those romances turned into reheated shit that reeked of stench and waste. And to Manny, the bus, the parties just for him, everything, even the scruffy, stinky, ragged women's clothes were beautiful. For Hank, he knows his own weakness and downfall, but in a corner of his mind, he always believes that he has a beautiful side, he has romantic fantasies about everything, and he fantasizes about being cool. Dead pose fell in love with Sarah, had fun with her, and met her friends. Manny is also a reflection of an innocent gesture in his brain, and Hank treats him like a child, trying not to repeat his father's mistakes. Whether it's "weird" or "retarded," those are labels that others attach to themselves. Who said you can't fart in front of others? Obviously, a person can have so many uses, even if it is a fart, you can take him to the depths of the sea, light a fire, lift him out of a trough, and finally, put yourself back in. Away from the ocean currents of those indifferent people. When Hank and Manny were together, he discovered Manny's various functions, but he also discovered his own possibilities. He explained to himself: You see, you are not useless garbage, you are not loved, but it does not mean that you are not. Value, as long as you dare to take that step, someone will love you as much as I love you. He wants to convince himself that he is worthy of being loved and will be loved. Since his appearance, Manny has always been in a childlike state of innocence and ignorance. He does not understand the unspoken rules of the human world. He only knows how to feel those Instinct stuff. He cried for the first time. When he found that his love had become the love of others, he saw the truth. The romantic soap bubble created by Hank was punctured by reality. Self-perception overlap - I am a "lonely and useless pervert". He actually started to think about life. Reality pulled him up from the gentle village and beat him, then handed him a twisted mirror and told him that this was what he was. Is the perception of love the beginning of all misfortune? Maybe just for those on the fringes. There is a Japanese legend: put an ugly clam in front of a mirror, and when it sees its ugly self, it will scare the oil out of its body, and this oil can be used as medicine to cure other people's diseases. In Manny's story, Sarah's eyes are the "ugly" mirror that lets him see himself, and he's scared out of the poisonous oil, and then literally dies. That oil is colorless and odorless, it won't kill others, but it can permeate every corner of the world, causing death, using prejudice, using incomprehension, using distrust, using rejection, using insults, and indirectly killing those who walk. People on the fringes of the crowd. But that oil can't be used as medicine, it can't save anyone. But he's not ugly, just like the "Dobler-Dahmer theory", others don't love him, so they can't see his beauty, so he's a freak, to Sarah, he's just a pale and rotten corpse. "Sorry, you look happy and I'm not." "Hank, are you trying to kill me? What would your mom think?" "I think she'd be happy someone loves me." Someone once loved him, But she was dead, and he tried to love himself, to kiss himself on the lips of another, but that man was dead too, twice. Once because of despair, once because of love. For romantic crap, love is everything. Love is the switch of self-destruction, and those who live in pursuit of love will eventually die in pursuit of love. For Hank, both father and Sarah are a thing of the past, standing there, not giving him any chance of love. As the TV station, the police, the father, the Sarah family, stand by the beach, Hank understands that they'll never have the chance to have their own love. So Hank, like Manny, will no longer maintain his so-called image in front of them. Everything has passed, so let's fart. Fart is just a gas. It is no different from other gases. Fart has many uses. There are many possibilities. Vulgar is a label that others impose on farts. So Hank let the waves take the Gone Manny, let him sail away like the first time we met, he rescued Hank from the noose of suicide, and he will rescue him again at last. He might be convicted of insulting a corpse and imprisoned for a while, or he might be thrown into a mental hospital, or he might leave the city to start a new life. But anyway, he had died once, the legacy of romanticism passed on to Manny, and he died. Someone loved him, he loved himself, he thought he was beautiful, he heard he was disgusting, but it's all history. "Poop is your body squeezing unwanted stuff out of your ass." They squeezed out love, Hank squeezed out the pursuit of love. The romantic sparkling stool sails in the sea, and the world will never have the opportunity to witness those lights, and only human beings are alive.
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