As the leading work of the French New Wave film movement in the 1950s, the whole film does not have too complicated plots, but the details of life are extremely strong, and the humanization is placed to the greatest extent. A small kitchen, a bed at the door, a lonely wanderer, a police station where people of all colors wait for one night. In a nearly semi-autobiographical childhood description of director François Truffaut, he focuses on human nature, personal situations and psychological states from the greatest angle. From the process of how an ordinary child became a rebellious juvenile delinquent, it reflects the common phenomena and missing links in society. Parents who do not pay attention to their children's growth and education, and teachers who easily punish students who make mistakes, seem to have all kinds of rules and regulations, but lack the warmth between people.
Only in an indifferent environment can indifference of humanity be cast. For a young man who is at a loss, he can only rely on his primitive intuition to resist everything around him. After the resistance is hopeless, escape becomes the only option. Just like at the end of the film, Anthony escaped from the correctional facility and ran all the way towards the sea. However, the road ahead is slow and still full of countless unknowns. Even if the theme of the film's story is placed in the present, it still has profound connotation and didactic significance. In contrast, mainland films more than 50 years later are still lingering outside the door of the "new wave", not only have not reached the climax stage, but even tend to be more and more marginalized. Chen Kaige, who was in high spirits back then, is now helpless. Perhaps, we can only pin our hopes on Jia Zhangke.
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