Tragedy is throwing a good thing to death in front of you for you to watch.
The first part of "Pacific Rim" has a good description of both the character background and the mecha monsters. For example, when he lost his brother, the younger brother could feel the other half of his nerves. The Japanese was rescued by the black commander when he was a child, and the father and son soldiers died in battle one after another. Without hesitation, I occasionally miss the different mechas of various countries. The battle scenes always seem to be rainy nights, and the feeling that a major event like the end of the world is about to come, the combination of point and face, small and big, indescribable enjoyment. . . . .
The second is shit. . . . . . The first paragraph is a typical Hollywood chase scene that I don't know why before the big event happens. It's always a gangster who eats too much shit and wants to find a male protagonist who hasn't developed to the perverted level for all kinds of stupid reasons. The idiots in Class A are intriguing, in order to set off the solidarity of all kinds of idiots on the battlefield, and they don't forget to have one less monster version of Transformers. . . The feeling of the first part melted away. Moreover, 80% of Hollywood has long known that the second film is not good, hired a screenwriter as the director, and used the death of the first heroine as the explosion point. Except for the routine, it is a routine, and it is a shit set for the purpose of making money do. This is the feces of the film industry.
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