How long will it take you to speak it aloud when you couldn't get through it any longer?
----That's for miranda.
How many men will make you compeletely understand that there's only one guy who you prefer always from the beginning?
----That's for carrie.
How fantastic "perfect life" dream failed to work out to get you finally to realize the true life is no longer a pure imagination all about prince charming?
-----That's for charolotte.
How fabulous sex game be played again and again to let you believe in there's really something called love exist in the world?
----That's for samantha .
"fabulous" is probably the most repeated word in satc. Concise and concise. They completed their most fabulous era in a way that the Chinese may find it difficult to accept at all. In the overlapping of laughter and pain and the ruthless passage of time, a period of time that no one will forget. When Big left New York in season four, Carrie and his girlfriends said that an era was over. For her, Big was never out of the table. After episode 96, it was truly over for the audience.
Although the performance of sarah jessica parker has become more and more contrived and unbearable, although the character of carrie is relatively less distinct than the other three, the most puzzling thing is that the most dazzling person is always her, not only Because she is the NO.1 of the whole "satc". Every week at brunch with my girlfriends, the most sobering and flamboyant topics are regularly discussed, but in the end, they are repeatedly sublimated into the most rational and cunning men and women, and even human-human wisdom.
What carrie carries is not simply a New York Star newspaper columnist describing sex&city, but most of the time her identity is just an observer of the world of men and women in this sweet and intoxicated city. Watch is also watched. This is the most fabulous part. The few "deep" experiences she had personally penetrated into her relationship made her overwhelmed, especially Big, who was destined to be a high mountain beyond the emotional barrier. The ending of the famous happy ever is nothing but the ambiguous action of the director and the "presumption of guilt" of the audience under their own strong will. Getting back together doesn't mean happy ever, their destiny may be a brand new departure, or it may be a repetition of the past six years. The point is that perhaps what carrie wants is this vague but just the right amount of alienation.
Because of their status as loyal observers, in the mirror image of Carrie, the other three people's horizons are exceptionally clear, or even angular. Miranda is probably the most ordinary character in the setting, and she is the only one who has completed the impossible task of the other three - mother. I don't want to say that she is cold on the outside and hot on the inside or such comments. In the sight and telling of the audience, she has been branded in various ways. It is indeed the most extravagant and childish idea to restore the individual itself in this world, but I always feel that restoring miranda will not be the case. The cynicism is too abstract, she just likes everything to be concrete enough to remove any disobedience and pretentiousness. I finally understood that real life is strictly divided into what to think and what to do. It didn't take too long, and only the real she could do neatly and without a trace of the pain of transition. The solidity of the friendship with Carrie is truly breathtaking. The most impressive thing is the deep trust and emotional dependence between each other, which is often gathered in short, long, hasty or lengthy "porridge" on the phone, except for the famous wedding paragraph. Every inadvertently ordinary but fabulous moment accumulates, and the chest is filled with satisfaction and joy.
It must be said that although the friendship between the four is indeed solid, it is not utopian, and even in my opinion, samantha is not an object worthy of emulation in the eyes of charolotte or carrie. Being friends doesn't mean being totally accepting of each other's habits or having no opinion. Friends secretly ridicule or censure each other, it does not mean that there is an unbearable stain on the relationship, as long as we all believe in the distance of divinity, as long as we all recognize the matter of human nature. Private life can be described as debauchery, and finally there is a young handsome guy who loves with all his heart. It seems that such an arrangement makes it impossible to decide whether this is the most rational choice, or even a far-fetched feeling. But in fact, no one has insight into the future like the ancient Greek prophets, and no one can tell where he will go and the flow of his brain in the next second. Therefore, although the image of the big woman samantha seems to be heroized in the final season, no one can deny the possibility of everything happening. Whether it's show or real life.
To charolotte, she is like a precursor to the obsessive-compulsive disorder and perfectionist patient Bree in DH, always wandering in the dream of perfect, but in fact, she is almost as elegant and classical as the princess in the story - lacking opinion. It is impossible to be as independent as Carrie or to break the heresy of traditional stereotypes in the Anglican view, but the approach to Carrie and the four as a group brings the princess to the world. After disgusting her perfectionism in previous seasons, she began to like the most beautiful girl in the last season, starting with the Jewish religion. She is still the same charolotte who believes in love and pure love supremacy. The difference is that the princess finally begins to understand that the true heartache love is so far away from the seamless texture of each other that she no longer cares about the possibility of it happening - so , she chose to do it herself, fix it! The love for the three big girls except for this New York watcher's carrie's identity rose after the stock index in the final season, if "satc" continues for a seventh season or beyond, charolotte Possibly a potential stock.
Everyone sighed deeply at the end of the play, reminding me of my childhood memories of crying at the end of the play, as if the world disappeared and there is no tomorrow. People under the control of high technology are no longer afraid of losing themselves, and the panic of "post-lost generation" has begun to spread in cities. The most melancholy is not the ending of the drama, but the life as always. The time to say fabulous is not limited by anyone, technically. Seeing Carrie walking in Manhattan with a smile on her face, drowning in the vast sea of people as the lens fades away, people in ordinary life seem to see the image reflected by the mirror becoming clearer and clearer, and the end is just show or The habit of crawling in front of the TV every night, nothing more. The most frustrating thing is dragging the heavy shell and playing up the spirit of 120,000 points, maybe it will never be able to recklessly cultivate the real pale self and the surrounding in one's own territory.
The cunning wrapped in the sensual and arbitrary decoration of "satc" is beyond the embarrassment of the emotion that was once in the sea. I prefer "friends", which is too simple and melancholy. When looking back, I try to control my perceptual function, because there are actually many classic moments that can be recalled, but I do not want to continue to demonize in the 21st century where the Internet is demonized. In the emotional dimension, the unforgettable siege of the city and the land is left to myself, so that they will not have any chance of being cursed or even blessed. What I can't bear is that it affects my rational mind and blocks the clues to judgment, even though that is one of the things we are best at every time we encounter setbacks in our impure self-conscious growth over the years.
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