Talk about eight and a half

Immanuel 2022-04-23 07:02:04

The great film history masterpiece is not only because the director reviews and retells his own life with the repeated intersection of dreams, memories and reality in an autobiographical film (biopic) with a capacity of more than 2 hours, but also because this is a movie movie of. On the one hand, it covers almost all the motifs that filmmakers are concerned about at the moment, such as childhood, gender, love, religion, race, etc.; of creative anxiety and inspiration, and tortures himself in an introspective and slightly brutal way, and more importantly, at the end, tells us that there is no film, and life itself is a celebration. It is precisely because of this that the final group photo of all the characters, as well as the moment when the director reconciles with his lover and his wife, points not only to the director himself, but also to all of us who watch the movie - acknowledging our own weakness and exposing the lies of life. After that, let us still love life bravely.

Johnnie 2022-04-22 07:01:26

Obsessive-compulsive self-referential, film/reality/movie reality, about meaningless meaning, evading moral dialectics and looking directly at the self... "Eight and one-half" also explains something that was not said in the film The thing is that there is an aesthetic verification that integrates the above without being out of order.