stream of consciousness movies

Pablo 2022-12-30 09:59:28

Eight and a half films by Italian film director Fellini in 1962 is an autobiographical film. This work tells the story of director Guido's personal life in crisis when he was running out of ideas for a film. In the film, the two plot lines are constantly paralleled, interspersed and intertwined, thus organically combining fantasy and reality. When expressing Guido's difficult troubles in reality and dreams, he used the creative method of "stream of consciousness".
The narrative method of the film abandons the "linear narrative structure" of conventional films, and uses the narrative method of subjective viewpoints, which is an unstructured structure: the flow of the plot has no fixed direction, and the transition of events can only be based on the internal psychological basis. There are no logical clues to move the plot forward. Direct and indirect inner monologues, as well as the omniscient author's perspective, enable the film to freely and arbitrarily create a new cinematic language: stream-of-consciousness cinematic language.
American film theorist Thoromon said: "Fellini is creating a new form of film." In this unprecedented expression, what is formed is "inner realism". Although "Eight and a Half" cannot be said to be a "stream-of-consciousness" film in the pure sense, it uses a lot of stream-of-consciousness techniques to express a The chaotic state of mind of the characters in the film.

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8½ quotes

  • Guido: Enough of symbolism and these escapist themes of purity and innocence.

  • Guido: I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film to help bury forever all the dead things we carry around inside. Instead, it's me who lacks the courage to bury anything at all. Now I'm utterly confused, with this tower on my hands. I wonder why things turned out this way. Where did I lose my way? I really have nothing to say, but I want to say it anyway. Why don't those spirits of yours come to my aid? You always said they had lots of messages for me. Let them get to work.

    Rossella: I've already told you: your attitude is all wrong. You're curious in a childish way. You want too many guarantees.

    Guido: Fine, but what do they say?

    Rossella: The same as always. They're very reasonable. They know you very well.

    Guido: Well then?

    Rossella: They say you're free, but you have to choose. And you don't have much time. You have to hurry.