So the first half passed in the position of chasing the camera, one was thinking of the video of foreigners learning Japanese played by the teacher, and the other was thinking, isn't this the making of (our album) that the band indie wants to break through the market...? Chen Qizhen, who is very tight. At the beginning, it was abrupt and unnatural, and it got better in the middle part. As the producer said, gradually the audience gradually forgot where the camera was as the relationship between the guy and the girl deepened, and they really began to watch the drama with the protagonists. Making records together briefly breathes life together.
In the interview, the director said that he didn't need a perfect script, and he was impatient to spend a year and a half to write just one script, so the production of Once was based on only a 60-page script. The film co-produced by the director and his friends gives the feeling of home-made / bedroom or garage production. It seems that it comes from the reason why everyone is thinking about how the story will happen and develop.
Once so touching, melodic's ballad is a natural contribution, and more importantly, the guy and the girl have a short-lived relationship, and the two have concurrent fireworks, ripples and reverberations in a short moment. Yes, the story is useless at all [the protagonist does not need to have a name (the audience will substitute it more thoroughly)], the important thing is to catch the moment that happened - the kind of thing that seemed to happen at the time and should happen, but in the end it didn't because of reason. Let it happen, and in retrospect, I am still moved or excited and reluctant to part with it, or regret how it didn't work out at the time. Later memories are like images under a soft mirror - the afternoon sun is particularly beautiful, and it seems that there will never be another chance in this life.
Beautiful, because of the limited period.
Background Music: Heysatan - Sigur Rós
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