The obsession of wanting to become a human seems to be a bit similar to the demon in the domestic demon movie who always wants to cultivate into an adult.
There are still many issues discussed in the film, including whether robots can have bank accounts, whether robots are recognized as humans, and so on.
Andrew's master is still pretty good, and he has money and time to train him into a more human robot. When the robot wanted to be free, his master also chose to let go. He also said: "If you choose freedom, you should bear the consequences of freedom." It felt as if his master regarded him as his own child.
When little miss got married, he and his master were like old fathers who were reluctant to let their daughter get married.
Second Miss actually has feelings for him, after all, she grew up with her. But at this time, the robot didn't have much idea. not yet love.
Talking only about love always feels like a cliché. But the warm part of the play is still tear-jerking.
Intergenerational inheritance is also amazing, and your granddaughter will be the same as when you were young. Let me, who thinks of Dink and is unwilling to undertake the heavy responsibility of reproduction, also want to see the magic of genetics. But if my own children also get married later and give birth later, it is estimated that I will not be there when the granddaughter grows up.
This widowed parenting in the main country is scary. I don't want to pass on my genes any more. (These sentences are a bit negative)
View more about Bicentennial Man reviews