How should I put it, I started watching movies with similar themes from The Hunger Games to the later Maze Runner, Divergent. Of the three, my favorite is probably the Divergent series. The first part of the three series is very good, whether it's the amazing performance of the big cousin in the first part of the Hunger Games, the little fresh meat in the moving maze fighting the maze, or the confusion, pain and transformation of Tris in Divergent are all successful. that piqued my interest. However, when it came to the second part of this series...it became the awkward plot of the cute and stupid male protagonist dragging his legs, The Walking Dead 2.0 and cutting short hair and loving me again. I refuse this kind of handsome routine. In addition to the reputation of the Hunger Games 3, I still watched Divergent 3 after doing enough psychological construction (there is no way for a couple to become a brother and sister CP for a lifetime). The
beginning is a trial, The vicious cycle of fighting violence with violence is always enduring. Obviously, our rebellious heroine has to take her boyfriend and good sister to flee again. In the process, she has to bring along Peter, who has been selling teammates professionally for 30 years, and caleb, who is a coward. We still remember that in the first part, there were two people who broke through the inner barriers, and in the second part, the two broke the boundary of the faction, and in the third part, we should have a happy ending (in fact, we had a hunch No) As a result, a copy with a vastly different strength appeared. A sense of déjà vu of prehistoric human beings pking future technology madmen rushed to the face. Of course, wherever there are people, there is resistance. With the help of Matthew and another girl, after a brief quarrel and a very quick awakening, Tris, the fourth and the friends returned to Chicago to stop him. With the release of memory serum, save Chicago from dire straits again!
But this time is different from before. It can be said that the beautiful vision in Tris's heart in the third film has been found by her, although this vision is not the same as her imagination. At this time, she can no longer inspire herself with the belief that "there is a wonderful new world outside the wall". In dystopian movies, while creating wasteland, desolation, cold-blooded, and difficult for us, the beautiful world of Datong has been used as the driving force for the protagonists, but the facts have proved that this is not enough. In the end, the protagonists still have to make choices based on their own beliefs and persistence. Just like the conjecture of the "brain in a vat", if we are really wrapped in layers after layers of virtual worlds woven for us by others, how can we rely on our obsession with illusion to pursue happiness. Breaking through the visible wall is not a utopia. People still have to find the way of life and the meaning of life from their own beliefs and choices.
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