They were young

Adrienne 2022-04-24 07:01:07

From any point of view, I don't thinkIt is an erotic film. French actresses can always bring me fresh power. Audrey Tautou (Angel Emily), Natalie Portman (this killer is not too cold), Juliette Binoche (Chocolate), Sophie Marceau (Fang Fang), is this the source of my European complex...
Eva Green's bold nudity in the film did not bring me any slutty and lewd messages, on the contrary, those came from the innocent, peculiar and uninhibited imagination of young girls , and the doctrine of "other people`s parents are nicer than our own, and yet for some reasons ,our grandparents...are always nicer than other people`s" makes me almost adore her, I like to pay attention to life philosophical people, and speak them appropriately to those who need them.
I always understood that Matthew was an outsider to the whole show, just like I agree that "only France can build a cinema in a palace", he is a window to the outside world for Isabelle and Theo, he is a loyal French movie fan , he has a set of doctrines about the harmonious universe, and he is an American. The wonderful melody played by the fusion and collision of cultures is the most brilliant spark of the whole film.
I envy the inexplicable twin love between Isabelle and Theo, two parts of one person, not even a chance to be alone, and even wanton sex in front of each other is normal. Isabelle couldn't tell which of Matthew and Theo she loved more, while Matthew loved both of them. It's always been a game of two people, and even if a third person comes in that they both love, they ask him not to break the balance that has existed for 20 years. This kind of deformed love is really domineering, but it always reveals the most magnificent and uninhibited love. Isabelle can't tolerate her brother's lust for other women, and can't decide what to do with Theo, their idols are Mao Zedong and the proletariat (and they are from a genuine middle-class family), and their ardent anti-war sentiments are all The youngest can be forgiven for being childish. Only, only the French interpret youth in such a fiery way.
At the end of the film, the quarrel of the three young people disappeared into the waves of the parade. Matthew still proves that he's just an outsider as the story begins and ends.
I have nothing but a deep tribute to Berto Rouni.
(PS: I'm not optimistic about Eva Green's role as a Bond girl)

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Extended Reading
  • Danielle 2022-04-18 17:34:53

    It's the seasonal factor, and it's also the film's ability. It's rare to watch it with great interest. Because many of the new wave of tributes have not been seen, the passage of the long run to the Louvre is associated with Zu and Zhan. The sex scenes are bold yet tender, and full of tenderness. In that era of global redness, some people were in the streets and alleys, some were embroidering couch in the boudoir, and the age of hormonal bursting always had to be released. But it seems that in our two or three generations, the intensity is hidden in the mouth and crotch.

  • Ludwig 2022-04-20 09:01:43

    Adolescence is actually a disease. The symptoms are irritability, rebellion, fanaticism, and a pure psychedelic feeling. In some eras, the disease will be fatal, but most people will survive it, leaving the sequelae of amnesia. Adolescence in the next generation represents incomprehensible. ps: The self-proclaimed young American youth can only faint in front of the crazy French youth, literally.

The Dreamers quotes

  • Isabelle: This is a test.

  • Theo: [reading from a book] A revolution isn't a gala dinner. It cannot be created like a book, a drawing or a tapestry. It cannot unfold with such elegance, tranquility and delicacy. Or such sweetness, affability. Courtesy, restraint and generosity. A revolution is an uprising, a violent act by which one class overthrows another.