In that era of explosion, rock, student movement, pop art, existentialism, and a society full of sexual liberation, the realist Matthew and the pseudo-idealist Theo and Issa collided. They hated each other and Love, the "emotional line" of three people can be described in pairs.
But the emotional line of the three people is no longer acceptable to love and family. It is more like a primitive dependence and comparison, like two innocent children in the Garden of Eden and a young man who came from the outside world to seek the truth.
The film talks about revolution, philosophy, film art, etc. Each part passes by, and various erotic scenes throughout the film are also interspersed with various film-related clips, like running in the Louvre and finally committing suicide. The technique makes it impossible to distinguish the reality and delusion of time and space. All the erotic scenes bring not debauchery and lewdness, but the innocence and stubbornness of the characters, the fragility and curiosity of living in utopia.
In the end, the siblings rushed to the police, and Matthew silently walked into the crowd, marking the fusion or rupture of the two worlds. In short, the siblings finally walked out of the house, onto the street, and into this dangerous world. , Good luck to them, good luck always exists, because in those days, we were liberating, we were resisting, we followed the doors led by Morrison, and we worshipped Hendrix who played the piano with his teeth.
The drooping eyes and downward lips of Goddess Eva reminded me of the girl I liked when I was a child, full of mystery, wisdom and tolerance, lingering and unreachable.
View more about The Dreamers reviews
