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Corrupted private life and political riots
Rosella 2022-04-23 07:02:13
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Tate 2022-04-18 17:34:53
It's another large-scale movie that I saw when I was a child. The scale of this movie was so big that I was stunned when I was young. When I saw the scene of three people together, I was so frightened that I quickly changed channels. I still can't accept such absurd distortions. There are even some twisted plots.
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Karson 2022-04-19 09:01:58
This is a film for cinema and a film for fans; it is a film for Paris and a film for the world of yesterday. In 1968, students flooded the streets of Paris, the leftist movement reached its peak in the world, the red trend of thought spread to all parts of the world, and the world of yesterday was unfolding before our eyes. If it is said that "movie is voyeurism", then from "Dream of Paris" we have glimpsed Paris in 1968, and also glimpsed the degeneration of an idealist: "He" stood outside the world to criticize violence, Matthew loved him, loved him His masculine side and his feminine side. Bertolucci infinitely magnifies this love, using mirrors instead of cameras to convey love, boldly showing naked sex, and implicitly showing same-sex and incest plots. Swimming in the world of light and shadow, he seems to have forgotten the torrent of history. He fell from the Louvre in "Outlaws" into the river in "Mouchette", and he became you and me when he walked on the street. , became every blind idealist. (From the movie, we get a glimpse of 24-year-old Eva Green and her ketone body, as beautiful as Venus with a broken arm)
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Isabelle: Oh, how sweet of you Matthew to keep my image next to your heart.
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Isabelle: [standing in the doorway, wearing only long black gloves and sheet draped around her hips] What sculpture?
Matthew: I always wanted to make love to Venus de Milo.
Isabelle: I can't stop you. I got no arms.