Profound Index: ★★★★
Moving Index: ★★★★
Innovative Index: ★★★
Comprehensive Index: ★★★★
The first love between pure and bloody people and vampires, compared to the original Swedish version It's cold and bitter. On the one hand, this film enriches the emotional details of sexual enlightenment and makes people smile. On the other hand, it is chilling in the transition between the identities of old men and little boys. Intertwined in doubt. Whether the vampire has genuine affection for the little boy, or is it out of use, from the perspective of the setting of the story, the most reasonable explanation is that although the vampire has existed for a hundred years, his mind has remained at the age of 12, so on the one hand The boy's emotions are sincere, but on the other hand, he shows a negative side to the "adopting father/old lover", because since the "old lover" will grow old, it is impossible to keep the relationship in a green state forever, and will gradually turn to his brother. The roles of , uncle, father, and grandfather have changed, and vampires can only stay in the role of children. The love between the two naturally becomes a family relationship entangled with utility. Since vampires are immortal, they can only give birth to a vague and ignorant feeling to children of the same mental age, which is undoubtedly a profound sadness for the man. A man loves his first love the most. He spends his whole life without complaining, but in the end, his first love is forgotten in the depths of his memory and replaced by a new person. From this point of view, it is the most realistic portrayal of the relationship between men and women: a man's love will eventually become a thing of the past, And a woman's love has always been in the present tense.
View more about Let Me In reviews
