This winter, I want to write a letter to Klaus

Clinton 2022-09-11 16:48:06

This winter, I want to write a letter to Claus, put it in an envelope, take a penny, and have Mr. Jasper, the postman, deliver it for me. When I was a child, every time I saw the appearance of Santa Claus in cartoons, it quietly brought surprises to children. I will be very happy, and I am looking forward to Santa Claus coming. But I didn't write letters, I didn't have socks hanging by my bed, and I didn't have any of Santa's favorite cookies. That's why I haven't received a Christmas present for so many years! It dawned on me today after learning the Christmas secret. In the animated film "Klaus: The Secret of Christmas", the two families living on the gray island are fighting every day, and children cannot play freely and go to school well. Not a single ray of sunshine. But all this changed with the selfless dedication of the postman Jasper and the woodcutter Claus, and the story is very warm. Everyone wants feedback from others, and Jasper and Klaus do the same, but they want something different. The postman, who was originally a child of a wealthy family, could continue to return to a wealthy and worry-free life after completing the task of 6,000 letters, but he still chose to stay. Said the boatman: Strange, I've never seen anyone sadder to leave than to come. The woodcutter, who used to be indifferent to the world, said he would never make toys again because of his dead wife, but because of a letter that Jasper accidentally brought, he started his "Santa Claus" career. After he completed the gift order for more than ten years, the old man followed Snowflake and said silently to his wife: I am here. On the dark island in the past, the children were playing happily, the classroom songs were bright, like the warm sun outside the window, and the years of hatred between the two families had long since disappeared, and everyone had a party under the lights. The children said: Write to Claus and he will give you the toys you want, remember to put them in an envelope and bring a penny by the way. Otherwise, it wouldn't count as writing a letter, would it? The innocent and happy laughter of children, the harmonious coexistence of neighbors, and all kinds of

Regarding the analysis of the lens language, I have a very impressive clip of this animation. It is a clip of Klausji being excited, happy and re-energized when the children first came to send letters. The first shot is a close-up, the door is fixed with wooden boards, and the back is pressed with wooden sticks, which shows Jasper's fear from the scene.

The first shot is a close-up, the door is fixed with wooden boards, and the back is pressed with wooden sticks, which shows Jasper's fear from the scene.
Then in the second shot, a panorama, there is a larger pile of debris under the close-up of the wooden boards and sticks, blocking the door tightly and making the characters' fearful mood even greater. During this period, the background sound has always been the sound of chickens. In this scene, there is also a calm chicken nestled in the pile of ruins, which makes the picture very humorous.
In the next panoramic shot, Jasper appeared, lying on a pile of debris, holding a weapon in his hand, muttering incessantly, very embarrassed, the sun was shining through the broken roof, Jasper was still sleeping, Obviously didn't sleep well last night. At this moment, the quiet scene was suddenly broken by a knock on the door. Jasper jumped up in fright. And brandishing weapons, especially panic.
At this time, everything in the camera is close-up to Jasper, and he picks up a pot to cover his head to protect himself. The momentary zoom of the camera brings a sense of shock to the audience.
In the next shot, close-up, outside the door, only a small part of Jasper's face is seen, which further exaggerates Jasper's fear.
At this time, cut to the panoramic view outside the house, explaining who and why the person knocked on the door.
Next is the mid-range shot looking up, the perspective is the perspective of a child, so that the audience has a feeling of being involved in it, and they look forward to Klaus opening the door together. The picture shakes slightly, and is accompanied by the sound of chickens crowing and flapping wings. The sound shows what the characters are doing inside, and the expectations and curiosity of outsiders are expressed through the lens of the picture.
The door opened, the camera switched from looking up to looking down, and the introduction of the characters was also switched. Let the audience switch from "children" to "Klaus" and bring the audience into the play.
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The next shot, from the upward looking shot, zoomed in quickly to Claus's eyes, which turned into a super close-up, the music played, and the echo effect was added. In his eyes, the child seemed to be an angel descending.
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Next, three close-ups of preparations and a panorama, matched with the cheerful music rhythm, instantly broke the previous rhythm and formed a strong contrast with the previous one. The whole atmosphere is instantly relaxed and happy. And the lens did not explain what Klaus wanted to do at the beginning, and through these powerful lenses with big perspectives, it was shown that what Klaus wanted to accomplish was a very big plan, giving close-ups and leaving suspense.
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What follows is a panorama. Klaus picks up the chalk, ready to draw, but doesn't know what to draw, follows his hand, switches to a close-up, and then transitions from a similar scene to a clip of Klaus's implementation plan.
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Then the picture returns to the chalk graffiti picture again, and then the scene transitions in a similar way to the previous one. The rhythm is steady and not chaotic, which clearly shows that Claus's plan is being successfully constructed on "both sides". Moreover, all the scenes are connected in series with a complete paragraph of Claus's words, which makes the picture extremely smooth. And the rhythm of camera switching is also in contrast to the slow and slow first half.
Finally, I returned to the panorama from the same angle as the beginning. The drawing has been completed, and the implementation of the plan has been smooth. The use of this shot makes the two things a perfect combination, and it is lively and interesting.

Finally, about the artistic style of the film. The artistic style of this film is the style of picture book illustrations that I particularly like. In terms of characters, basic geometry is used to transform and then combine, and then greatly exaggerated, enlarged, and reduced to form a In this unique character, in geometry, circles often represent cuteness and softness, just like the images of children in animation, most of them have round faces and round animal bodies, not as angular and angular as adults. . (The file is too big, so I won’t post a picture haha) And the triangle is stable and firm, but the sharp edges and corners may also be regarded as a symbol of evil. In this animation, there are more stable triangles, such as those who have just appeared on the stage. The commander, the whole body forms an obvious inverted triangle, which looks majestic and aura. In animation, the use of trapezoid is also very common, and it is often used on chubby characters, such as the little pumpkins in the two major families. The protagonist Klaus is a rectangle as a whole, with the characteristics of integrity and honesty. These geometric processing features magnify the character's characteristics and have a unique style, which is often deeply influential. In addition to the characteristics of the character modeling, the coloring style of the characters also adopts a special two-color rendering and three-dimensional rendering. The junction of light and dark of the characters is very soft, and the whole picture looks unique, and the background adopts a two-dimensional style, but in terms of overall shape and color It blends well with the characters. In terms of performance, although the characters are very geometric, they are very flexible in performance, making the characters lively and vivid. The magic of animation is that after such exaggerated processing, what we experience is not strange, but makes the soul of the character more interesting and the performance more perfect. This is also the reason why I especially like this movie. The style, characteristics and performance methods of the movie are also worthy of our exploration and study.

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Extended Reading

Klaus quotes

  • Jesper: Ha! Eat our snow, you-

    [since the reindeer aren't attached, the sleigh starts to roll backwards]

    Jesper: They're not attached. Why aren't they attached? I thought they were attached. I never in a million years would've done what I just did if I didn't think these were attached.

  • Klaus: A true selfless act always sparks another.

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