Eros obsession, so much so. People's lives are shallow, and there will always be retribution. —— "The Story of the Past and Present"
In "The Phantom of the Opera", the first two lonely and pitiful souls met. The Phantom and Christine redeemed each other. I gave you wings of music, and you gave me warmth in the world. For Christine, the Phantom is like a father and a friend, and the Phantom comforts Ke Ristine young mind and taught her to sing, watching her shine on the stage, fascinated all beings. The Phantom inevitably loves Kristen deeply, but no one has ever taught him to love, so this love is paranoid and domineering. To the Phantom, Christine is a light chiseled in his dark prison, the only thing he ever wanted in his life.
Christine, who became famous, fascinated all living beings, and of course also drunk the eyes of Raul, his childhood sweetheart. He accidentally met the little Lottie when he was a child. It should be that the two are in love, but the fact is that the three are confused. Christine has an unconscious sense of betrayal towards the Phantom. I believe more that Christine and the Phantom are lovers on the soul or on friendship. Full of platonic love, in comparison, Raul is Christine's worldly lover. Christine yearns for the world, so she resists Phantom's passionate love, which also causes Phantom to start a "revenge" drama. The premiere of "Don Juan" can be described as two good plays on stage and off stage. Domineering marriage proposal, Raul's life and death, Christine is deeply caught in this triangular relationship. In the underground candlelight, Christine sees the pitiful despair of the Phantom, and decides to give a kiss to repay this obsession. Maybe the Phantom can get it in this kiss. After realizing it, the Phantom let Raul and Christine go away, leaving only a half-smile mask to mock the world.
The era of intoxicated gold fans collapsed suddenly. Years later, Bai Lingke, who was sleeping in the land, still remembers the Persian monkey music box and the delicate rose.
Black and white, night and day, life and death, the ground is splendid and the underground is dark and cold... There are many comparisons in the film, which give the audience a strong and beautiful impact. Introducing the Phantom's tragic childhood to the audience makes the character more three-dimensional and less of that icy ghost. However, the film pays more attention to the display of the external image, and ignores the inner struggle of the characters, which is considered a lack.
The love tragedy of "The Phantom of the Opera" is heartbreaking, but also eternal in tragic, living to the death.
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