The favorite male protagonist in the four major musicals is the ghost in The Phantom of the Opera, and the American soldier in Miss Saigon is a small white-faced muscular man and cowardly, who dare not take responsibility. Les Miserables' Bai Zuo Wenqing is too inconsiderate, reckless and simple.
Imagine a man who has traveled all over the world and learned a lot of crafts. His voice is so beautiful, his IQ and attainments are very high, he is proficient in institutions, but he lives a quiet life in the theater, builds his own Baroque kingdom, and hides behind the scenes. Enlightenment and achievement silly white sweet heroine, magnificent. In the end, the heroine was too vain and still liked the tall, rich, handsome, little white face, and the only thing he didn't have was the appearance, how ironic.
I didn't watch this movie, but every time I see Christine throwing ghosts at the theater, I get angry, didn't you accept everything he gave, why do you back down when you tell the truth about his face, too Green tea bitch.
At the same time, love can save a repressed and twisted soul. There will always be things in life that make people dream about it. If you give up revenge, love can make people forgive everything. The ghost is the emperor of darkness, his power seeps out of the dark underworld, and his love trumps all surfaces and skins.
I downloaded several versions from different periods on my mobile phone. I listened to it on the subway, and there was no signal in the London subway. I listened to it repeatedly. The affection of the male protagonist is really touching. I forgive him for being narrow-minded and unscrupulous. In the end, he let go, didn’t he? ?
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