Fortunately, Weber's music is still there. The goddess of moonlight used to be Weber's Christine, and her natural voice used to be the inspiration for Weber's music. Now it has been replaced by the young and beautiful Amy Rosen. It is said that she has been trained at the Metropolitan Opera since she was 7 years old, but I think her charm is mainly in face and body. Gerard Butler in The Phantom feels a bit like Cui Jian (Old Cui's pink watch hits me), the 1/4 mask design is so cool! And the maneuverability is very strong, unlike the cross wound of Kenshin. The actor of the male No. 2 Viscount, Patrick Wilson, is known as the chief niche student of the popular Broadway musical in the United States. Unfortunately, his hair is too long, his face is too soft, and his face is too white.
The advantage of the movie compared to the musical is that it leaves a lot of YY space, even if this movie is fully supervised by Weber and is absolutely loyal to the original work. Webb's new song "LearnToBeLonely" for the film allows the Phantom to fully utilize his mysterious charm, and the director has painstakingly added the Phantom's life experience flashback part, a fight in front of Christine's father's graveyard, and the ending at Kris The reunion of the two men in front of Ting's cemetery, the super sweat is the ring on the rose, this is not the Titanic or the century of love, why should the rose and the ring appear repeatedly
View more about The Phantom of the Opera reviews
