1. The male mainly went to assassinate Shi Xin, but failed and was imprisoned. The demon sent the blood to kill him, triggering the protagonist's skills at the critical moment, and let Latin brother's team rescued him. Going underground to search for his son failed, met the heroine, and returned to the team.
2. The hostess took Zac and her dementia mother into the tunnel leading to New Jersey. Zac was temporarily settled in a hidden place because of the chase of the blood race. To solve the problem of my mother's failure, she later met with the male lead who was looking for her son in the underground.
3. Zach, the son of the hero. Because the father wanted to assassinate the old man Shi Xin and couldn't protect him, he was sent away and left on a train with the hostess. As a result, the blood clan struck and was forced to hide underground, and was brought to the demon's head by the blood clan's biological mother. The devil made him drink his white "blood".
4. Latin brother. The messenger who met the ancestor on the street was named a "day warrior" to form a group to kill monsters. Before the nuclear power plant broke out, he followed the old professor's words and hid underground to join the team.
5. The big rat-catcher. Following the old professor, he was almost infected by bugs, and saved him by burning his arms with a lighter at a critical moment. Together with the old professor, he invented a new weapon "rat medicine" (first self-injury 800 and then 500 enemy) and met the team underground.
6. The heroine's mother. Knowing nothing, has been protected. Take refuge underground with the above few people.
7. Old Jewish professor. It was discovered that the demon used the stone core to build a nuclear power plant because it wanted to eliminate other ancestors (a nuclear explosion in its birthplace could wipe out the ancestors), thus controlling the world, and came to the nuclear power plant to find the demon. Encountered an enemy who killed his wife, stabbed him to death with a silver knife to avenge him. Then he knocked against the demon, took the "rat medicine" before the demon sucked his own blood, and died of a nuclear explosion after wounding the demon.
8. Stone heart. Using the devil to transform oneself was unsuccessful. The demon who severed funding received the "depraved light" of the mage scroll, and was stunned by the demon in anger.
9. The ancestor's messenger. Fly to the nuclear explosion with the ancestors.
10. Ex-wife of the male protagonist. Infected as the demon of the blood clan, he took his son and dedicated it to the demon.
11. The current boyfriend of the man's ex-wife. Do not listen to the male lead’s advice and stay in the city. The changed blood clan died under the sword of the male lead.
12. "Silver Angel". Former wrestling star. Join the "day warrior" fighting team. Help Latino to escape from the nuclear power plant and fight the blood family to death in the nuclear explosion.
The comics always mention the survival philosophy between human beings, the earth, and the blood race. I don’t know if the author is paving the way for the next plot or enhancing the force of the story.
The comics are full of apocalyptic charm, "Indifferent is the real devil." The government, police, and high-level officials are either controlled or mentally disabled. No one believes, and no one wants to believe that the end of the world is coming. It wasn't until the day before the nuclear power plant exploded that people believed the news about kinship was true. But it was too late, and the world was over.
After reading the comics, I only have one thought: the screenwriter doesn't know what to think.
Perhaps the author of the comic has some unreasonable plot arrangements, but the comic loopholes are really inconspicuous compared to the screenwriter.
The screenwriter, however, wandered long, wandered, but didn't wander into the circle.
The comics are very good in terms of plot and style. Compared to TV dramas, it only makes the people in it go from the second dimension to the third dimension. It's okay to add some subtle plots than the comics (such as the makeup shots of the old Voldemort, etc.), but is it really good to change the characters to this way?
Here comes curiosity, to what extent the screenwriter will make this play disabled.
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