It's really fascinating, it's a mystery, a dream, every look and every word should be tasted, "Kiss me my girl, before I'm sick." Will I understand it one day?
In fact, I hate this kind of dangerous relationship the most in "Two Smalls and No Guess", but the reason I hate it is probably that you express it in big vernacular and extreme plots, which will only make me annoyed. Silence speaks louder than noise. And the need to read between the lines makes Phantom Thread a text you'll want to revisit over and over.
I feel that it is really appropriate for DDL to end with this elegant and beautiful artwork, this damn dangerous lethal tenderness! Also like Vicky's temperament! I really feel that she has the same temperament as Meryl, although it is not because of this that I like her, she has a strong sense of story, and she really did not lose against DDL, a film with such a strong sexual tension, the performance of the two If the fit is less than a point, it will not be as charming as it is now. She is the same in "Young Marx" and in August's opposite scene, ah, I really like excellent actors!
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