8.9/10
Color, tone, composition, casting, natural light, good service, great presentation by PTA masters, must not be missed.
This aristocratic game started from the figure, but never entered the heart, and was marked with tragedy from the very beginning. Alma is undoubtedly an ultra-romantic, starting from Reynolds' dangerous smile, the thorny yoke of love tormenting her all the time, stabbing her to deceive, poison, and destroy the unsightly whiteness. The girl's natural childishness in the restaurant intensified after that, completely turned into a tough paranoia, and even changed from the desire to conquer at the beginning to the revenge of others. Her impression of being muddy and unstained also became more horrific and abominable. Alma's self-righteous conquest is a profound enslavement of herself after being conquered by Reynolds (the perfect love in a country girl's fantasy).
Reynolds is an absolute craftsman, and he is not compatible with long-term and stable love. Unfortunately, at the wrong time, Alma appeared in his field of vision very "timely", such as the mother's wedding dress when she was extremely weak. The hallucination happened to transition to Alma who opened the door. The ridiculous marriage curse is embodied in reality, as light as wearing a gauze, and the phantom accompanies Reynolds throughout his life.
Then they got married, and there were countless thorns and traps behind this seemingly beautiful marriage, and every step Reynolds took was painful. Of course, the curse will not stop at the wedding, it will only emit endless yin on the hotbed of pain, so that two people who should not have any intersection can never escape.
The romance of pain is sweet, sweet poison
View more about Phantom Thread reviews
