Not a complete so-called feminist film, but more of a return to thinking about one's own cognition.
Human beings open their senses to the world through intimate contact with the mother's body after birth.
Gradually growing up, due to different physiological changes, gender cognition is naturally generated and differentiated into so-called female males. However, in this process, not all people follow this. They do not pay attention to what gender is, but will pay more attention to whether they are real.
The heroine's sexual addiction problem in the movie is just to perceive herself in order to continuously obtain external stimulation, running all the way on the long road of lack of identity, stumbled to find herself. The body, for her, is just the best tool for contacting the outside world. A beautiful deer-like appearance and a slender and slender figure are the best weapons in society. Countless physical orgasms do not represent spiritual pleasure.
When JOE was crazy, she longed to seize her vacated soul, but the sinking of her body made her succumb for a time. Until the director gave a so-called "love" reason, she briefly returned to the conventional ethical society and played the role of a good wife and mother, but the price was that all sexual pleasures came to an abrupt end. There is still no precise definition of where women go from here.
The dialogue mode of "asexuals" is mixed with religions and myths that appear from time to time, deliberately or unintentionally discussing original sin and shame, and flogging the shackles of morality. The interweaving and progressiveness of classical music and natural mathematics, the weird 3+5 implies more indecent and primitive impulses. Everything is like a naked body lying on a street corner, broken and broken, while the spirit spreads in the endless space, exploring the edge of all possibilities.
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