Probably all the people who have been in love will have similar confusions - the values of the two conflict, how to continue to get along - as small as she is Guo Jingming's iron-blooded fan but you scoff at it, as big as in the film the ultimate disagreement on whether to believe in God.
In the subway, Ian gently put the headset to Sophi's ear. It's the most beautiful moment, and how wonderful it would be if love could play on a loop like a music video. Unfortunately this is not the case. This film is not a love guide, and the director is not a senior warm man. When Sophi just put on a pair of "I'm going to brainwash PHD", the director ended the argument between the two with an accident, shifting the movie from love to "science fiction". Yes, it is tiring to talk about love. In contrast, it is much easier to talk about biological evolution and iris recognition.
At the end of the story, a middle-aged scientific researcher takes the little girl into a taxi on a crowded street, and then enters his luxury hotel suite (what is the difference between this year and several headlines this year). And then the "timely" appearance of the priest who didn't know the meaning, asked the male protagonist to take the girl to take the stairs instead. What was it for? After watching the movie, I realized that the director just saved the suspense of the little girl facing the elevator to the end. Too revealing traces, too obvious to justify themselves.
PS: The male protagonist's glasses seem a bit strange.
View more about I Origins reviews
