Intuitive feeling:
good-looking, cool film.
Editing:
From a toy train to a real train, although it passes by, but the essence is superb. Reminds me of the montage of bone transformation in A Space Odyssey. The time of waiting for the two-wheeled vehicle is slowed down, which reflects the psychological state of people. In the last part, the film is interspersed with the dv video, and the lines are subtly interpreted, that is, the climax moment, which captures the point of view.
Plot development:
There is resistance everywhere. In reality, our travel is certainly not as bizarre and twists as in the movie. Movies belong to movies, and they always have dramatic effects, but it definitely reflects the unsatisfactory things that many of us always encounter every day. For example, we checked things before we set off, and as a result, we still missed something and were distressed. After all, Mr. Bean is more unlucky than us. Not only did I order disgusting dishes, I took the wrong taxi, I failed to catch the train many times, I met a little boy, and the boy lost his father. Later, the plot developed into a story of wandering adults and adults.
The language barrier, the two sides did not understand anything, but they had a tacit understanding, and finally won the tears of passers-by by imitating the opera on the street, and won the opportunity to fill their stomachs, and they should have rushed to the target: Shana as scheduled. However, the ticket was blown away by the wind and stepped under the chicken feet. Bean couldn't catch it even if he wanted to. There was tension everywhere.
Bean's perseverance did not give up, he was still chasing and chasing on his old bicycle. The only hope is that the bubble is burst by the eyeful of chickens.
What should I do? I had to go back, but Bean found that the bike he grabbed had been trampled. Fortunately, DV was able to save it. However, Bean saw a round of tanks passing by on the DV display, and his face was stunned. Seeing this, I wonder if there may be some political metaphors in it, but this is just a comedy, so I might think too much.
Obstructed everywhere, in the middle of the golden rapeseed field, there is only one trail, and it is impossible to be crowded with traffic. Bean gave a thumbs up and put it down again, a little disgusted, because the car came, but it was a two-wheeled car, but it seemed to be a little far away, and it seemed that it would never come. The camera frequently switches back and forth between the two-wheeled vehicle and Bean, showing Bean's anxious psychology. (This scene reminds me of North by Northwest). Finally, the car came, and the old man riding the car was so bold that he let him get on the low back seat, but he couldn't ride, and even if he moved, it would be slower than walking.
Originally, it was okay to wait for the bus, but when he entered the dilapidated wooden house on the roadside, he was locked, missed the bus, and missed the car carrying the little boy to Shana. This is the lowest moment of the film...
Bean had to walk... Under the shallow depth of field, the sky rendered a picture like "Gone with the Wind", which is even more epic and legendary.
Are the real and the real confused? Bean found himself living in an old village with a long history. He was obsessed with the beautiful classical beauties here. He panicked at the gunfire here. Later, it was just acting... By the way, he injured people. Yes, the ambulance came rushing.
Bean happily took the DV that had fully charged the battery and left. On the road, he was lucky enough to take the British mini car of the heroine he was lusting after. He happened to meet the boy on the road, and the journey went smoothly.
The climax of the film: Bean and the others sneaked into the Shana Film Festival, and learned that the heroine's scene was cut, so they decided to play the game, and sneaked into the broadcast control room to display their dv, all of which were related to the heroine. Clap, the drowsy audience immediately applauded. This clip exposed the public's lack of understanding of the director's personalized work, and ultimately lost to the popular, almost shoddy "popular entertainment film". Personality directors, imaginable: Clout Chabrol, François Truffaut, Jean-Luc Godard, Jacques Rivette and Eric Robert, Wim Wenders . Most directors can only put down their personality and shoot popular films to win the commercial market. Zhang Yimou's filming of "The Great Wall" is not a rotten film in the domestic film industry, and most of the audience are intoxicated and passively forced.
In the end, the boy found his father, the heroine realized the star dream, and the bean also found the golden beach. happy end.
Thoughts:
It's just a comedy with all the happy elements it deserves. I think it's still very nice, but near the end, the literary film on the screen and the dv are interspersed and spoofed a bit, which may arouse the disgust of a certain literary and artistic boss, and, if there is no happy end, it is a heart-breaking film. Most of it hurts people. The reality that cannot be grasped, the life that cannot be controlled.
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