Love is the magic...but it's also transient.

Albertha 2022-01-05 08:01:35

In fact, each of Woody Allen's films is to express his worldview through a weak and casual story structure and a less plump protagonist (usually a male). All the protagonists are "Allen surrogate". This work may be even weaker than the works of previous years. A film critic said that the whole story is "thinner than a wedge of lemon" (thinner than a wedge of lemon), which is true in retrospect.

In layman's terms, Woody Allen is the so-called Tucao emperor, a joke man, and he loves to trash all kinds of snobs: high-cold intellectuals, rich people with money but no quality. But he is also active in making complaints and slaps on his face. He never wanted to talk about the meaning of life, because for this non-believer, there is no grand truth or creed, only doubt, irony, and pessimism are constant. But his cuteness lies in the sense of humor that bursts out of various oppositions. Together with the wonderful photography, music, and scene costume design, it makes people smile and spend a good time watching the movie. As he himself said in a recent interview, "It's the job of the artist, I think, to try and figure out how to get through life knowing that the worst is true." Reality, still trying to explore how to live life).

Of course, cute or annoying is also the first-line difference, depending on the personal taste of the movie. Some people can laugh from the beginning to the end, some people think it is just compelling words. Some film critics scolded: Stop making excuses for this person! His heyday was over in the 90s!

The weakness of the film may lie in the lack of spark and persuasiveness of the love story. The scenes in the budding part of the feelings are not coherent and smooth, and the sparks between the two are not a little, after all, the real age difference is thirty years old. (But the elephant about the backlight is so funny). It is said that in the last scene, there is a tribute to "La Traviata". Thinking about it this way, the whole story has the same effect.

The film was shot on the French Riviera (Côte d'Azur, the southeast coast of France). The 1920s was a period when American wealthy people flocked to the French Riviera to buy villas after the First World War. Speaking of which, Fitzgerald’s Gatsby was mostly written during his stay in Saint-Raphaël on the Cote d’Azur. The banquet scene in the movie really feels closer to the real atmosphere than Xiao Lizi's version of the drunken fans. Darius Khondji, who is in charge, is also the photographer of "To Rome with Love" and "Midnight in Paris". The quality of the 35mm film is very beautiful, the "impressionistic palette" (Impressionistic palette), especially the scenes in the garden. And Emma's flapper dress, cloche hat, and short, but impressive swimsuits are as eye-catching as an old pictorial.

Under all kinds of bitter debates that deny all kinds of pessimism, the director still left a little comfort. Love, is the ultimate magic! Although he would add, but it's also transient...

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Extended Reading

Magic in the Moonlight quotes

  • Stanley: The comparison makes me laugh! Olivia is a person of accomplishment and charm. Sophie's a street finagler who makes her way living off one bit of hokum to the next.

    Aunt Vanessa: Well, I don't see how you can compare the two.

    Stanley: Well, don't put ideas into my head!

    Aunt Vanessa: Well, far be it from me!

    Stanley: Of course, she does come from dire circumstances. I mean, it's very easy to be judgmental about people who are born into circumstances less fortunate than one's own.

    Aunt Vanessa: Well, life is harsh. One must do what one must to survive.

    Stanley: Well put. And people do sometimes make the wrong choices, which they regret, even though no serious harm was done.

    Aunt Vanessa: Which of us has not made some blunders in life?

    Stanley: And there is a rather appealing quality about Sophie. Despite her disgusting behaviour.

    Aunt Vanessa: Yes, her smile is rather winning. Of course, it depends how much value you put on the purely physical.

    Stanley: Well, no, I... I, for one, esteem the higher virtues.

    Aunt Vanessa: Hmm... Beauty of the soul...

    Stanley: Although her eyes are rather pleasant to look into. And that she can be amusing, under the right circumstances.

    Aunt Vanessa: Oh, but Olivia is an educated, cultivated woman. One that befits a man of your artistic genius.

    Stanley: Yes, now, my genius must be factored in. On paper, there's really no reason to prefer Sophie to Olivia.

    Aunt Vanessa: Well, I would say the opposite.

    Stanley: ...And so your, your suggestion that I, I be honest with Olivia and tell her that as irrational as it seems, I've fallen in love with, with Sophie - that's a preposterous notion.

    Aunt Vanessa: It's lunacy.

    Stanley: ...Yet I can't help feeling that...

    Aunt Vanessa: ...That you love Sophie. Yes, I understand. You're puzzled and bewildered; because your foolish logic tells you that you should love Olivia.

    Stanley: Foolish logic?

    Aunt Vanessa: And yet, how little that logic means when placed next to Sophie's smile...

    Stanley: What are you saying?

    Aunt Vanessa: ...That the world may or may not be without purpose, but it's not totally without some kind of magic.

    Stanley: ...I have irrational positive feelings for Sophie Baker. It's like witnessing a trick I can't figure out.

  • Aunt Vanessa: Which of us has not made some blunders in life?