There is really little contact with Hong Kong films, which is exciting. I finally know why Tony Leung's eyes are complicated. After all, Chen Yongsheng's emotional complexity, entanglement and contradiction are vividly interpreted. This kind of fate is similar and intertwined, and the final headshot is still shocking. I don’t want to favor any one side. It seems that good people and bad people also need opportunities. Andy is still brilliant as always, but I was shocked when I first learned about Tony Leung. ps: I think we can look at Hong Kong dramas a little more. After all, Naha's beauties are beautiful and soul-stirring! Beauty has its own merits.
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