The perfect show of the elite molecular stage play

Verda 2022-04-22 07:01:19

It can be seen from the intention of only three atmospheric music to set up the overall situation. This is a film that uses visuals to show the proposition. The moving rhythm of the opening scene is just right, making the static office environment fascinating at first, and then a few subtle close-ups push the camera. Also see the heart of photography.

When things go to extremes, the opposite is true, and it is precisely the purely visual plan that makes the film stutter in several scenes, such as the scene where Spacey and Rocket Scientist are in the elevator when the music is raised, but they suddenly receive a cry from a young colleague in the toilet, although This is not a big problem in terms of clues, and it is part of the plot of three-quarters of the intensive account of characters, but it is inevitable that the quiet style of audio-visual digging holes for the film will cause improper rhythm.

In addition to the audio-visual, the lines of this film can also be called excellent, which profoundly conveys the helplessness of subjective initiative under social stereotypes-

the bald head fired by the female boss came back and faced his enemy, and politely said:
"you could not do anything more, we don't have a choice."

Sam's ex-wife saw Sam's haggard appearance in the courtyard and politely said in one sentence:
"you don't look so good.." and " but you don't live here anymore.."

It is this kind of illusory invisible rule that everyone must respect that causes all the greed, shortsighted, hypocrisy and stupidity that this film wants to criticize in reality, that is, the same thing makes Every character in this film seems to have seen through everything but is behind bars, allowing us to see the core element of emotional resonance in this film, that is, their pain and confusion, as Spacey said, "I can't believe that so many years have passed. I still need money."

In addition to the extensional meaning of the film, it is the worldly troubles that everyone has most of them because of the last resort. In a society without religious constraints and dominated by capital, who would not want to be the 20%? No matter how good it is, no matter how pure it is, an individual cannot explain his inner desires to others who are ignored by himself (peasants ignored by intellectuals, traders ignored by revolutionaries, weak people ignored by politicians), no one can not help but Hurt other people, just like the discussion of capitalism in this film through the dialogue scene of the sports car and the dialogue scene of the restaurant on the roof, every one of us in the audience sees only the sound of the film and the shape of it flying overhead from the sky Don't you all have the illusion of sitting on the helicopter with a trace of yourself?

It is also based on this tone of giving a helicopter without giving a methodology, the film's extremely excellent performance lines and quite stable audio-visual did not bring artistic sparkle.

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Extended Reading

Margin Call quotes

  • John Tuld: So you think we might have put a few people out of business today. That its all for naught. You've been doing that everyday for almost forty years Sam. And if this is all for naught then so is everything out there. Its just money; its made up. Pieces of paper with pictures on it so we don't have to kill each other just to get something to eat. It's not wrong. And it's certainly no different today than its ever been. 1637, 1797, 1819, 37, 57, 84, 1901, 07, 29, 1937, 1974, 1987-Jesus, didn't that fuck up me up good-92, 97, 2000 and whatever we want to call this. It's all just the same thing over and over; we can't help ourselves. And you and I can't control it, or stop it, or even slow it. Or even ever-so-slightly alter it. We just react. And we make a lot money if we get it right. And we get left by the side of the side of the road if we get it wrong. And there have always been and there always will be the same percentage of winners and losers. Happy foxes and sad sacks. Fat cats and starving dogs in this world. Yeah, there may be more of us today than there's ever been. But the percentages-they stay exactly the same.

  • Will Emerson: Jesus, Seth. Listen, if you really wanna do this with your life you have to believe you're necessary and you are. People wanna live like this in their cars and big fuckin' houses they can't even pay for, then you're necessary. The only reason that they all get to continue living like kings is cause we got our fingers on the scales in their favor. I take my hand off and then the whole world gets really fuckin' fair really fuckin' quickly and nobody actually wants that. They say they do but they don't. They want what we have to give them but they also wanna, you know, play innocent and pretend they have no idea where it came from. Well, thats more hypocrisy than I'm willing to swallow, so fuck em. Fuck normal people. You know, the funny thing is, tomorrow if all of this goes tits up they're gonna crucify us for being too reckless but if we're wrong, and everything gets back on track? Well then, the same people are gonna laugh till they piss their pants cause we're gonna all look like the biggest pussies God ever let through the door.

    Seth Bregman: Do you think we're gonna be wrong?

    Will Emerson: [long pause] No, they're all fucked.

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