The first time I saw "Qima Lan", I had 3 interpretations:
1. Qima Lan gave life to the last work of art, made up a story and gave his life to fulfill the meaning of the work.
2. Qima Lan is really the little robot that brushes the wall tiles of the swimming pool, from the beginning to the end.
3. The hype team, investment company, etc. behind Qima Lan are represented as the "masters" of the little robots from generation to generation in the metaphor of the story, constantly adding new requirements and expectations, making Qima Lan's art more and more "ridiculous" , Not satisfied with the background wall of the planet, Qima Lan was tired and borrowed a story to return to simplicity, but it was also used to hype a wave of "Qima Blue tiles".
This is really a very artistic art animation~
The fourth episode of "Mecha" is also very reversed. At first, I thought it was humans defending their homes and eliminating bugs. At the end of the camera, I realized that humans are the invaders. Ironically, human development of agriculture infringes upon the living space of other species.
The eighth episode "Happy Hunting" is very interesting. Spiritual power is banned by machinery. The mysterious power of spiritual power is like magic in the West. With the development of steam engines, internal combustion engines and other industries, it has become illusory, but in the end, the mechanical In the end, the same effect was achieved-transformation, the constant is human nature, who is the hunter and who is the prey?
View more about Love, Death & Robots reviews