The world's first brother film - "Maze Runner 3: The Antidote to Death"

Kevin 2022-04-22 07:01:22

Let's start with a few very obvious bugs:

In the first frame of the opening scene, there is a computer production technology. I don’t know if it is a problem with the version I took or because of what, a few pieces of the open space are obviously floating up and down. Could this be a special way to show that the war is coming?

In the first part of rescuing the hostages, the protagonist asked the supporting actress and Uncle Hei to drive the plane away, and cut off a few carriages and his companions to save the people. Are you sure that if the departments on the opposite side can contact each other, the plane will keep chasing the car regardless of you? In addition, the off-road vehicle is obviously within the blasting range, why is it still unscathed?

As for how Mino was not rescued, it was useless to discuss.

Then everyone went through the tunnel and encountered zombies. After fighting for a while, they were worried about running out of bullets. At this time, the supporting actress drove over to meet them. However, the two sides had not had any contact before that, and the male protagonist and his party were secretly dispatched overnight. How could they just meet up? Even if the supporting actress and Uncle Black happened to make the same decision, it couldn't be such a coincidence, right?

Then he talked about how to enter the safe zone, and it was actually a scum who died in the first movie and returned to the right to help. You must know that he was killed by a spear pierced through the heart at that time! It stands to reason that it is impossible for anyone to be pierced through the heart, after all, he is not the barbarian king in the League of Legends. As a result, the screenwriter forcibly resurrected him, and asked him to throw the pot on the protagonist and his party. Who told you to stop observing and trying to find a way.

Isn't that other safe zone the last safe zone in the world? Why are the people who are locked out not infected, but still have the strength to hold high the flag of uprising?

The protagonist broke the window and jumped into the water to escape. First of all, it was a bit far-fetched to have a deep swimming pool next to the research building (if I remember correctly, there is a Guinness record for jumping into a 30 cm deep pool from a height of 12 meters without injury. A proportional relationship even if the water depth is 1.5 meters), a normal building should have at most a fountain next to it. Could it be that there is a secret villa in the building? Secondly, the safe distance for high-altitude diving stipulated by FINA is 27 meters, and the maximum height of professional high-altitude diving is 28 meters. The take-off height of the protagonist and his party is less than 60 meters high on the 20th floor. This story is set to take place hundreds of years later, and we consider that human physical fitness has undergone a certain evolution, but director, are you sure that the diving height that exceeds the safe height is really no problem? Not to mention that humans at that time still fought with fists or knives.

A bus that falls from a height of more than ten meters can still stand for a period of time. It has not been clearly stated before that the bus is out of fuel. Are the sparks generated by the falling down sure that it will not detonate the bus?

In addition, why is the special glass that is hard enough to trap zombies smashed by the hard objects thrown by the injured and powerless male protagonist?

Immediately after that, there is a forced response tactic similar to "personal" and "personal" in "Personal Order". After that, the most shocking scene in the whole play came. The spacecraft did not get close to the roof if it was not stuck and had no faults. The female protagonist who was not injured lifted the male protagonist onto the ship, and then collided at other places. The building was stunned for at least 3 seconds before being submerged in a sea of ​​fire. The film did not mention any reasons why the heroine had to sacrifice herself or why she did not want to live. This bento arrangement is really unintelligible, at most, it reduces the possibility of this series coming out 4 by 50%.

The last scene at the seaside is even more confounding. The male protagonist finished reading his brother's masterpiece with tears in his eyes, folded the letter, and then walked to the stone tablet and engraved the female protagonist's name. I know that the male protagonist is grateful that the female protagonist saved his life regardless of previous suspicions, but the director can't let this brotherhood come to a perfect end? Have to arrange for a passerby to engrave Newt's name?

And the number one bug in this drama is the male protagonist Thomas himself, who can almost replace Jensen as the big BOSS and completely surpass the limit of human understanding.

First, this person is surprisingly emotional and has no long-term awareness. In order to save one of his brothers, he would rather give up the well-being of the entire human race, and indirectly lead the man with the face to lead the thugs to sacrifice himself to blow up the city wall. When you see the heroine who betrayed you, do you have to have your brother teach you a few words to wake up?

Second, when arguing with the heroine, as a most wanted person, what is the purpose of taking off his helmet without confirming the situation around him?

Third, the virus in Newt's body had mutated. Thomas asked Mino to rush to the spacecraft to get the serum. It seemed like an inspiration, but it was the last resort. It has been mentioned countless times before that the male protagonist's blood is a natural antibody, and there are countless details in the second part that indirectly remind the male protagonist of this. Why didn't he take a gamble and donate blood directly? When things got out of hand and Newt was accidentally stabbed to death, he didn't dare to face his companions. Instead, he immediately went to meet the heroine who just released the broadcast. The one who you don't trust is really the heroine. Not yourself and Newt?

In the end, the male protagonist seems to have saved the world, but what purpose did he achieve?

One, finally came to a mysterious seaside area, and regarded it as a pure land to open a new era of human beings. However, it was said before that the safe zone was the last city. How could the cutting-edge technology in the safe zone fail to detect this seaside area? And what was the safe zone before the bombing? Also trouble your companions to carry you comatose to this seaside area to rest and wait for you to wake up.

Second, it is mentioned in the play that the virus will spread through the air, and after the last safe area was blown up, the surviving people came to a mysterious area by the sea. What is the reason why this mysterious area will not be infected?

Third, in the last shot, the male protagonist is holding the serum and facing the sea. However, at this time, all the top medical scientists and biologists in the world have died in the bombed safe area. What is the use of this tube of serum?

I remember that someone once commented on "A Certain Scientific Railgun" and "Magic Forbidden Book Catalog", saying: "These two animes have no villains, some just have different positions." In this way, the researchers and special forces in the safety zone are really unjustly killed. Are they really the villains of this show? Are you sure it's not the protagonist's group who don't know their surname because of their antibody blood type?

In short, this is a film that promotes buddy loyalty > human happiness, and it also makes people feel that they have staged a heroic ode. It can only be said that the creativity of "Maze 1" and the quite satisfactory performance of "Maze 2" have been completely wiped out in this part. One star for TS is the most attractive of all foreign films I have seen.

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Extended Reading

Maze Runner: The Death Cure quotes

  • Thomas: There's no guarantee we'll make it back from this.

    Newt: But we started it together, we might as well end it that way too.

  • Thomas: Do you regret it? What you did to us?

    Teresa: Sometimes. But I did what I thought was right.