Tarkovsky's fly-by shot is really good. Bi Gan's film has poems that are influenced by this. The blood covering the water is really depressing. I don't think I can reach the goal. I'm about to touch it. Let's forget it. Not all wishes can be realized in this state, only the most original wishes can be realized. If three people walk in sequence, as long as the camera keeps moving forward, there is no need to cut or fight back. The first person is drawn and the second person is drawn. Third, it is very comfortable that Laota and Kubrick have one thing in common. They can use images to express their feelings appropriately, not the cool kind, the indifferent kind, the river fragment in Stalker , The tunnel segment, I really feel like the tunnel is like the dream of the skeleton's brain shooting the water. Thinking about things is turned into lines and blocked. The old tower's narrative ability is weak, the middle is bright, and the surrounding dark panorama is also slowly pushed. It's so beautiful. If you want to let the audience sink into the atmosphere you created, you should keep the image for a sufficient length of time. Don't give a panoramic account and leave. The length of time is really necessary, and the audience will gradually feel that the length of time will be Focus on the content and change the focus to lock the characters, the background sliding is really good, there is no car scene that looks better than the panorama of the car and always follow it. I still like to use the effect of first drawing and then suddenly entering the drawing. I just use the main shot as the panorama of the explanation, okay is to participate in the narrative, no close-up is required
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