When you encounter difficulties, you can reverse your life with the help of the props and environment around you, Reivew on The Shallows

After watching "Shark Shore", what is your first impression?

What I feel is that the rhythm is relaxed, the paragraph play is brilliant, and the suspenseful conflict is controlled. Of course, there are also good looks and good surfing.

In fact, these three points of the film are interlinked and indispensable. Suspenseful conflict constitutes the rhythm, the rhythm promotes the paragraph, and the paragraph emerges the rhythm.

From the beginning to the end of the film, let's clear how such a routine was formed:

The beginning of the film is a suspenseful setting. A young boy found an abandoned camera while playing, and then, he was scared off by-

There are four question settings here: Who left the camera? What's in the camera? What ever happened to this beach? What is the little boy doing?

With such questions, we returned to the warm and beautiful beginning: the heroine was very happy to find the beach she had longed for under the guidance of the local residents, and then she started surfing (sprinkling welfare)

MV does not have the soft light selfie effect of the visual sense?

In fact, there is no shark here, it is still very beautiful and charming.

Blue sea and blue sky, satisfy your imagination

The camera here has already emerged with a sense of crisis. The contrast between man and the sea is prominent, showing the insignificance of man's extrusion.

After the heroine went into the water, she really came to her paradise, all kinds of overturned rivers and seas.

Beauty has always suppressed the nerves of the audience, infinitely delaying the crisis, making the audience especially expect the crisis to come, to maximize the effect of the crisis.

Slow motion with splashes...

Here the director also scare the audience

Just a whale!

After the two people who traveled together left, the main film began. Half an hour later, the heroine finally got in touch with the shark.

The wounded and frightened heroine escaped to the dead whale, and then to the island in the center, where three paragraphs began.

Two of them stand out better:

This is a drunk man who heard the heroine's call, and thought she was saying hello to him, and when he turned to walk away, he happened to see the heroine's mutilated surfboard. He... walked towards death. It (here tells us the importance of not taking small advantage)

Here is a shot of a wave engulfing him first, instead of directly saying his fate but making the audience think he was bitten to death. Then take a long shot of the heroine's reaction, and indirectly tell the audience through the heroine's cry: You are right, he was really bitten. And then the next shot is like this.

The second one goes like this: The two residents come to surf again. The hostess desperately shouted not to come. They ignore her. Then tragedy struck.

The camera processing here is in contrast to the calm restraint of the previous paragraph, which is to directly let the audience see the person being bitten! The camera is also dominated by the fast cut between the heroine and them, causing tension and completely exposing the crisis of the outside world. It was only before the people were bitten that the director did another bluffing treatment - the waves drowned them again, but they surfaced again, and then they were bitten. (I can't figure out the director's routine, he just wants to bluff you)

Then, one person is bitten, what about the other? Here he is in a race with the sharks. Slow motion surfboard after flying up.

However, his end is a bright red sea. This is a brutal visual communication with indirect color.

Three plays down. The heroine's time conflict and hand-to-hand combat is coming.

First, the tide is high, so I can't stay here, so

The buoy on the left in the front panorama is the target.

Injured heroine and shark race

Before running, the heroine used 23's shark back and forth to pick up the camera of the deceased to leave last words and will to survive. Then another 23 seconds to escape. The time conflict is obvious!

Then, after boarding the buoy, the female protagonist found the signal gun just like she was hanging.

So she-

The bullet of the gun fell into the sea before, and the heroine picking up the bullet is also a small action conflict. Then, bullets simply don't work.

instead,

Pissed off the shark. I think this is a bit exaggerated.

Then, the heroine actually kicked the shark away with her feet

Really man.

Then, witty and brave as a heroine

Defeated the murderer with the sting of the buoy - the shark

Then everything reasonably returned to the beginning of the circle. The little boy called his father, and the heroine was rescued.

Another happy ending for Hollywood. The heroine and sister started surfing again, the heroine also became a doctor, and the father actually said: I am proud of you......

another word

The filming is really good! ! !

highly recommended

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