The film is short and concise, and there is basically no nonsense (except that I really don’t know why everyone died without saying the name of the beach, maybe it is to add a little atmosphere to the follow-up hopelessness!) It is worthy of being produced by Sony, the frames are so beautiful that you can suffocate, and any ending is suffocating. Worship!
Speaking of despair, I think the director's several panoramas are accurate. Such a beautiful scene contrasts despair, and beautiful things are torn apart for the world to see!
What all? The bullets failed, only the last one angered the sharks; why did I think that the two second-tier guys would have a happy ending if they reappeared, but they were completely eaten by the sharks. The pacing of the whole movie is really okay. Especially the sentence FxxK where the heroine raised her pistol and prepared to fight to the death, is still inspiring!
Several incomprehensible bugs: 1. The drunkard died between the low tide and the high tide, and the two dead boys also came during this period. Why didn't they find a little bit? 2. What is the skill of the heroine in despair to quickly restore her makeup when the camera is turned? 3. The last part of her dad's both proud of you is really embarrassing!
Harvest: The heroine was in a bad mood after talking on the phone with daddy. She had an impulse to return to surfing, but she committed an accident. She told us that impulse is the devil, so think twice. . .
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