text / [United States] JM Hayes
translation / Lin Ruiyi
fade in
1. Main subtitles.
The moonlight is shining, and an open jewelry box lined with black velvet displays many precious jewellery. Necklaces, bracelets, earrings, and watches are also inlaid with luxurious emeralds, rubies, diamonds and sapphires. They left them casually, as if their owner had taken some the night before and was too tired to put them back in a safe place. After the subtitles were finished, a pair of hands wearing black gloves reached into the screen and quietly and dexterously removed the jewelry from the box.
2. Exterior scene, roof, night, medium scene.
A big black cat sneaked up on the very tall tile roof. In an instant, it disappeared in the shadow of a pile of tall chimneys, and then reappeared under the moonlight.
Fade out and
fade in
3. Interior view, hotel room, daytime, close-up.
The light is in sharp contrast. The sun is shining brightly. The head of a middle-aged woman fills the picture. She had cold cream on her face, and her gray hair was wrapped in a chiffon scarf. When she opened her mouth and yelled, four golden teeth were revealed. She shouted and looked down.
4. Insert the lens.
That empty jewelry box.
5. Exterior view, hotel balcony, daytime, distant view.
The balcony where she is on is the fifth floor of the hotel. She ran to the balcony and screamed desperately. We can see the distant view of the coast of Cannes (Note 1) behind her.
Woman A (French): Come here! Call the police, someone has stolen my jewelry! Someone has stolen my jewelry!
6. Insert the lens.
At night, a dressing table drawer was quietly opened, and we caught a glimpse of another pile of expensive accessories. It was the hands with black gloves reaching in and snatching away all the jewels.
7. Exterior scene, roof, night, medium scene.
A big black cat sneaked across the slate roof in the moonlit night.
fade out
Fade in
8. Exterior scene, hotel, daytime, medium scene.
A window in the hotel fills the screen, and another woman's scream is heard—
Second Woman (German): My jewelry! My jewelry! It was stolen!
9. Location, "British Waterfront Promenade", Nice (Note 2), daytime, distant view.
A comprehensive view of Nice's seafront, with hotels in the foreground.
Dissolve
10-11. Delete.
12. Location, hotel, daytime, semi-distant view.
Outside a chic hotel, we saw many windows. One of the windows—even though we were not sure which one—was screaming from the stolen.
13. Location, Monte Carlo (Note 3), daytime, distant view.
The magnificent comprehensive panoramic view of Monte Carlo.
14. Location, Nice Police Headquarters, daytime, medium shot.
In front of the door stood a guard in uniform. A car was waiting by the road, the engine was humming, and the door facing the house was open. Four men in casual clothes came out of the house and walked down the steps. They boarded the car agilely. The door slammed shut and the car drove away. The camera followed it on the main street, and then disappeared into the traffic.
Dissolved
15. Location, mountain, daytime, distant view.
Panorama of the mountains of the French Riviera. There was a detour in the foreground, winding and circling to the distant mountain col and disappeared. The police car was struggling to climb up. The camera pans away from the road ahead of it.
Dissolved
16. Location, mountains, daytime, distant view.
Another view of overlapping mountains. There are snow-covered peaks in the distance. A villa stands on a small slope on the far left. It is about two or three miles away from us.
Dissolved
17. Exterior view, villa, daytime, distant view.
The picture shows the villa and the lush garden.
Dissolve
18. Exterior scene, villa, daytime, medium scene.
The front door of the villa was pushed open, and a fat middle-aged housekeeper came out to shake the rag, and then she went back to the house.
19. Interior view, Robbie's living room, daytime, distant view.
This is a spacious, fascinating, and manly room. There are bookshelves along the wall, there are a few exquisite oil paintings, and many flowers. The housekeeper continued to clean the room after entering the door. The camera panned the room, and finally stopped on a chair and pushed a sleeping black cat, which was lying on a folded newspaper. The camera moved to the cat and the newspaper.
19A. Insert the lens.
This is a "Paris Herald Tribune", and the page opened is the headline of the Art Ethics column, reporting that the famous jewelry thief who was called a cat before the war is now active on the Riviera. After he became a hero in the war, he has changed his mind, but now he is clearly determined to change the already satisfying situation. The cat stretched out its palm, opened its paws, and tore the column apart.
20. Exterior scene, Robbie's garden, daytime, medium scene.
John Robbie, 35 years old, wears ordinary country clothes. When the camera slowly moved closer to his head and shoulders, there was a faint sound of a car coming by. Robbie began to turn his head suspiciously.
21. Interior view, Robbie's living room, daytime, close-up.
The cat on the chair raised his head, as if he also felt some disturbance in the air.
22-23. Location, mountain road, daytime, distant view.
The foreground is Robbie's garden, but the oncoming car on the winding road in the distance can be seen.
24. Location, Robbie's garden, daytime, semi close-up.
Robbie pondered the oncoming car for a while, then slowly turned around and broke off another flower. He looked back again before turning back to the villa. The camera panned him through French windows and into the living room.
25. Interior view, Robbie's living room, daytime, medium shot.
As Robbie walked through the living room, he asked the housekeeper who was still cleaning the room. He ascended the stairs at the end of the hall. He didn't seem to be particularly in a hurry, but his actions were clear and purposeful.
26. Interior view, landing, daytime, medium view.
Robbie passed through a door into his bedroom on the second floor.
27. Interior view, Robbie's bedroom, daytime, medium view.
Robbie walked to the roof window after entering the room, and the camera moved to face him until his head and shoulders filled the frame. He stared out of the window, while his body was hidden behind the window, in order to prevent outsiders from discovering it.
28. Location, mountains, daytime, distant view.
We saw the car coming from the main highway through the foreground window, slowing down and turning into Robbie's lane.
29. Interior view, Robbie's bedroom, daytime, close-up.
Robbie's eyes followed the car into the lane. He flashed back slightly.
30. Location, driveway, daytime, semi-distant view.
The car turned around and faced the main road again. It stopped, the door opened, four men got out of the car, and the driver stayed in the car. Leading the dispatched entourage, he obviously wants them to surround the house. They each go to different positions. The leader and one of his assistants walked to the front door.
31. Interior view, Robbie's bedroom, daytime, medium shot.
Robbie walked to the wardrobe solemnly, opened it, and took out a long canvas bag and a small yellow box from it. He took out a double-barreled shotgun from the canvas bag, took out two bullets from the yellow box, and put them into the barrel of the gun. He pulled the bolt and pulled out the safety bolt. The camera panned him towards a leather chair and lay the gun on the two armrests. He now adopts a not-so-challenging stance and walks slowly towards the bedroom door. Throughout this process, we heard the slamming of the door, the grunting of the two men, and the answer from his housekeeper—all in French. Robbie walked to the door, and we heard the butler talking to him from below.
Germaine (French): Mr. Robbie!
32. Interior view, landing, daytime, medium view.
In the foreground, Robbie walked from his bedroom to the top of the stairs. We saw Germaine standing at the foot of the stairs. When he came downstairs-
Germaine (French): These two gentlemen wanted to see you.
Robbie (French): Thank you, Germaine.
She stepped aside to let him walk over, and cast a very disgusting and dissatisfied look at the two detectives at the same time. When Robbie turned into the living room, Germaine retreated to the kitchen and gave the detective again challenging and unfriendly.
33. Interior view, Robbie's living room, daytime, semi-distant view.
Two detectives stood in the foreground with their backs to the camera. They are about five feet apart. Robbie came in from the other side of the room. He stopped after a few steps and looked at them suspiciously. There is something strange in his expression. He waited for them to speak first. The one on the right said his name.
Lepic: Lepic.
Then, the second person spoke.
Mersier: Mersier.
Lebuque (French): Mr. Robbie, we belong to the National Security Agency. Now we are investigating a batch of jewelry thefts. We think you can provide us with some helpful information. Could you please come with us to the Nice branch?
34. Interior, Robbie's living room, daytime, close-up.
During this time, Robbie listened indifferently, although from his eyes, we could see that his active mind was thinking about something.
35. Interior, Robbie's living room, daytime, medium shot.
Robbie went to the window and looked out.
36. Interior view, Robbie's living room, daytime, medium shot.
The two turned their heads following his movements.
37. Interior, Robbie's living room, daytime, medium shot.
Robbie walked across the room, looking out from the other window, still expressionless. He turned to the two men-
Robbie (French): Will you allow me to wear a coat and a hat?
38. Interior view, Robbie's living room, daytime, medium shot.
Those two people. Lepic made a "don't be nervous" gesture.
39. Interior, Robbie's living room, daytime, medium shot.
Robbie turned and walked out of the room to the stairs. When he went upstairs-
40. Interior view, Robbie's living room, daytime, medium shot.
The two exchanged suspicious glances, Lepic instructed Mersier to stay where he was, and walked to the stairs lightly, and the camera followed.
41. Interior view, Robbie's foyer, daytime, medium shot.
Just as he closed the door upstairs, Lepic walked to the foot of the stairs. When the door was locked, we heard a clear "click" sound.
Lepic turned quickly and shouted- Lepic: Mersier!
He turned and walked quickly up the stairs. Lepic walked halfway, and the stairs and doorways were shaken by the loud gunshots. When Lepic reached the top of the stairs, Mersier was heading into the hall. We heard the heavy sound of someone falling.
42. Exterior view, entrance in front of the house, daytime, semi-distant view.
The driver jumped out of the car and rushed to the front door.
43. Location, Robbie's garden, daytime, distant view.
We looked down from the roof of the villa and saw the two detectives outside the room concentrating on the house. They ran around the house and rushed in through the front door. The camera pans them. The camera panned back to a small window on the roof, and John Robbie stuck his head out, with a pair of shoes hanging around his neck. We heard "bang bang" door knocks behind him and under the house, screaming and loud talking. His expression and actions are serious. He is at ease.
44. Location, Robbie's roof, daytime, semi-distant view.
He came out of the window, wearing only socks on his feet, and walked to the back of the roof. He walked skillfully on the tiles. After reaching the back of the roof, he began to slide down the drain.
45-46. Interior, entrance hall, daytime, semi close-up.
Lepic and Mersier were hitting the door.
47. Interior view, Robbie's bedroom, daytime, semi close-up.
When Menger was smashed away and Lepic and Mersier rushed in, they stopped in fright by the sight in front of them.
48. Interior view, Robbie's bedroom, daytime, semi close-up.
On an overturned chair, a double-barreled shotgun was pointed at them maliciously.
49. Interior view, Robbie's bedroom, daytime, semi-distant view.
They walked into the room cautiously. At this time, I heard the sound of a car starting and driving away quickly. Instinctively knowing what's going on without having to go to the window, they rushed back and ran through the doorway. We heard the rumble of jumbled footsteps on the floor. At this time, two other police detectives rushed to the outside door.
50. Location, Robbie's driveway, daytime, semi-distant view.
Taken from a helicopter. Police car parked in the driveway. Behind it is the front door of the house. The detectives ran out and looked at the avenue, where there was the sound of another car driving away. Lepic immediately rushed out and issued a few orders. Then they hurried to the car and hurriedly boarded it. The car drove away. Pulling behind the camera, leaving the villa, the car turned from the driveway and onto the main winding road. The camera continued to pull back until he saw the vast mountainous scenery, and the small police car was chasing after the winding mountain road. Now you can see Robbie’s yellow convertible, and you can see the distance between the two cars. They are about a mile apart.
51. Location, mountain road, daytime, distant view. Taken from a helicopter.
The camera flicked across the roof of a village. The two cars were speeding at the same speed.
52. Location, mountain road, daytime, distant view. Taken from a helicopter.
The two cars appeared again on the open road. Following the camera, they arrived at a walled village with medieval colors. The camera was in mid-air, and they were not photographed when they entered the village. The camera wandered outside the village, so we only heard the sound of cars chasing in the village. When we reached the other side of the village, the unexpected was that the police car appeared first. Before long, it stopped suddenly, and one or two detectives got out of the car and patrolled the road, but the car was not seen. Suddenly, Robbie's car crashed past them and drove out of the village. The detective jumped back into their car and continued tracking.
52A. Location, mountain road, daytime, distant view.
The police car and Robbie's car drove side by side, and the latter was forced to stop by the side of the road.
52B. Exterior scene, mountain road, daytime, medium scene.
The detectives rushed out of the car and quickly rushed to Robbie's yellow convertible. For the first time we saw that it was not Robbie who was driving, but his butler, German. She enlightened them confidently.
Germain (French): Who are you going to catch? Do you think it's fun to catch people on the road? I am a decent and law-abiding citizen. Since when did a respected person suddenly become a criminal on the road?
52C. Exterior view, Robbie's villa, daytime, semi-distant view.
Robbie crossed the road cautiously and walked towards a local bus that had just arrived.
52D. Exterior view, Robbie's villa, daytime, medium view.
He boarded the bus. The car drove away.
52E. Location, mountain road, daytime, distant view.
The bus was driving on the road and was forced to pull aside in order to let an oncoming high-speed car pass. This is the returning police car.
52F. Location, bus, daytime, close-up.
Robbie looked calmly at the passing police car from behind the car window.
52G. Exterior view, Robbie's villa, daytime, semi-distant view.
The police car suddenly stopped in front of the villa.
53-74. (Original deleted)
75. Location, Monte Carlo cross road, daytime, distant view.
There is an ordinary patrol police in the foreground. We saw that bus came and stopped on the other side of the street. One or two passengers got off the bus, Robbie among them. He walked around from behind the car and crossed the road facing the camera. As he was walking, he noticed the policeman. We saw him hesitate a bit, but he walked cautiously without changing his speed. When approaching the police, he raised his palm to cover his face, yawned pretentiously, and twisted his face. This was an instant effective disguise. When he passed by the policeman and came out of the screen, the policeman turned around and watched him inadvertently, and the policeman also began to yawn. He opened his mouth and closed his eyes when he turned around.
76. Reverse the lens, daytime, distant view.
Robbie walked up a flight of steps, which led down to a small restaurant on the Monte Carlo dock.
77. Exterior view, Botanney Hotel, daytime, semi-distant view.
We saw Robbie descend the steps and walk through the garden area of the hotel. It was noon at this time, and customers went to dinner one after another. A well-equipped dining table indicates that this restaurant has a special taste. There are many waiters, regular customers are a group of rich and fashionable people. Robbie walked towards the garden entrance of the hotel.
78. Exterior view, Botanney Hotel, daytime, semi close-up.
Robbie walked into the restaurant with a few customers waiting for a seat. The foreman handed them to a table, and Robbie was exposed to the population alone. His country clothes are obviously not in harmony with the high-class atmosphere.
79. Exterior shot, Botanney Hotel, daytime, medium shot.
At a table near him, the bartender was opening champagne bottles for a pair of male and female customers. He raised his head as he turned the stopper and saw Robbie, a look of surprise spread across his face. At this point, the cork was released with a snort, and he was still staring at Robbie.
80. Insert the lens.
The bubbles of champagne flowed out of the bottleneck and trickled into the hands of the bartender.
81. Exterior view, Botanney Hotel, daytime, close-up.
Robbie smiled lightly and shook his head admonishingly.
82. Exterior view, Botanney Hotel, daytime, semi close-up.
The bartender woke up and turned to apologize to the customer. A miscellaneous child quickly picked up a napkin to dry the bottle and the bartender's hands.
83. Exterior view, Botanney Hotel, daytime, close-up.
Robbie no longer pays attention to the bartender, he inspects the restaurant and finds someone. Suddenly, his eyes
caught- 84. Exterior view, Botanney Hotel, daytime, semi-distant view.
A man who was obviously a restaurant owner. He saw something and hurriedly walked to a table near the center of the garden, where a group of people sat, one of whom might be King Farock. The waiter was about to deliver the recipe to the king, but Bertanni stopped him, tilted his head and motioned to him to do something else. He walked towards the king politely, awaiting orders.
85. Exterior view, Botanney Hotel, daytime, semi close-up.
Robbie looked at him for a moment, then walked towards him, and the camera panned. He hesitated for a long time at Falock's table, so that Berthany could see him when he raised his eyes. As soon as he met Bottany's gaze, he continued to move forward, and the camera followed him to the door of the restaurant.
86. Exterior view, Botanney Hotel, daytime, close-up.
When we heard King Farock ordering food in French, we could only see a close-up of Bettany. Berthany glanced at Robbie as he walked away.
87. Interior view, Botanney Hotel, daytime, semi close-up.
Behind the hotel, the cashier Antoinette was sitting in a small closed counter. She was a simple girl with a waist more attractive than her face. After recognizing Robbie at a glance, she was shocked. Her eyes followed Robbie's whereabouts in the hotel until he walked into the office behind the desk.
88. Interior view, Bethany's office, daytime, medium shot.
Robbie entered the office and closed the door. This office may be 12 square feet, with windows that can see the kitchen and the cash register outside the left wall, and a door that leads to the cash register. From the checkout counter, you can see the lobby of the hotel. It is dark during the day, and the garden restaurant outside is bustling and busy. The camera pans Robbie walks to the side of the office where there are partitions made of wood and glass. We see the kitchen through here.
89. Interior view, Bethany's office, daytime, close-up.
Robbie looked at the kitchen through the glass partition. He just took a casual look, his mind was filled with current worries. However, certain things attracted his attention.
90. Interior, kitchen, daytime, medium shot.
A chef stared at him with rather unfriendly eyes. The man immediately turned to the other chefs and kitchen workers, and muttered something to them respectively. The listener turned to look at Robbie, and then turned back to work.
91. Interior, kitchen, daytime, semi close-up.
Through the glass partition, we saw Robbie calmly observing these actions. Suddenly, an egg slammed straight onto the glass in front of him, and the sticky egg juice dripped down the glass. He walked away slowly, with a smile on his face. The kitchen is still busy.
92-93. Interior view, Berthany's office, daytime, medium shot.
Botany walked into the office and attracted Robbie's attention. Botany is a big, well-dressed man. He carefully chooses his outfits. A certain professional attitude makes him overly courteous. He has a sense of humor. He still shows the courage to be the leader of a group of men. He
confided Robbie's situation all at once- Bettany: He walked hurriedly-huh?
Robbie: They came to me an hour ago.
Berthany: The police?
Robbie: There are five here.
Bertanny: Very important. Five. (Walking to a mirror set on the wall, adjusting the tie and hem of the coat) They only sent four out when they grabbed the blue beard.
Robbie: But he is guilty.
Botany (polite but pointedly): Of course, you are innocent.
Robbie (definitely): I haven't stolen a piece of jewelry in 15 years.
Botany (turns from the mirror and smiles brightly): Ah, honesty.
Robbie: Honesty makes people feel good.
Botany (glances at the kitchen): What do you think of my kitchen? It's like a machine, isn't it?
Robbie (impatiently): Bottany...
Bottany (interrupting him): Just like our group in the resistance movement, cut, slice... but there is no such good meat.
Robbie: Have you ever been hungry, Bettany?
Botany (chuckling): Me? Now, allow me to serve you, (French) roast veal, fresh potatoes and Parisian champagne.
Robbie: Your price is too expensive. Now, let's talk about business.
Botany (going to his desk and looking at a menu): The recent jewelry theft case was between you and me. Do you know them?
Robbie: I only see it in the newspaper.
Botany (looks up): But you evade the police.
Robbie: Evasion is not a guilty patent. I need time and distance.
Botany (deliberately): Coincidence can cause difficulties...These thieves are all stamping your mark, but you claim to be innocent.
Robbie (face sinks): I'm a step further than I claim...Bertani...I insist.
Berthany: Of course... Let's be frank, what do you need, Robbie... You have proof of your alibi every time a crime is committed?
Robbie (looks at him for a moment, his eyes are not polite): Then, thank you, Berthany, you are the most mean. If I am hungry, you will eat alone (to the door).
Botany (stopping him quickly): My heart is good, (pats my chest) but I don't speak well.
At this time, we saw Antoinete flapping the glass window in the background, and the foreman waiter was waiting at her desk. Botank turned and opened the door, and Antoinette handed him three or two receipts for him to sign.
94. Interior view, Bethany's office, daytime, close-up.
Robbie turned his head to look at the kitchen.
95. Interior, kitchen, daytime, medium shot.
Next to the glass partition beaten by eggs, we saw two kitchen workers peering into the office. They are the dishwasher and the cook. Their evaluation of Robbie is obviously unfriendly.
96. Interior view, Berthany's office, daytime, close-up.
Robbie smiled challengingly at them. Bethany's voice made him look back, and when Robbie stepped to meet Bethany who was walking back, he pulled back from the camera.
Berthany: What can I do for you, Robbie?
Robbie: All I ask for is someone to take care of my villa, pay Germaine and the gardener monthly wages, and sell my grapes at a good price.
Botany (gesturing to indicate that this request is very simple, no need to be an excellent one): Easy to handle.
Robbie: If you can leave the money, deposit it in the bank under another name. Okay, the police may come here anytime--
Bottany (interrupting him, concerned): So now...Do you need clothes and money?
Robbie: I have everything, thank you (walked a few steps to the door).
Botany (stopping him): Take my boat to the island.
Robbie (smiling): I want to go to America and go home.
Bertanni: Oh, it's a long distance. Do you believe you can live without French cuisine?
Robbie: I can eat hamburgers and drink beer.
Botany (holding his belly): No, it's better for me to hide you.
Robbie (smiling, shaking his head): America, if I'm lucky.
Berthany: What if you are unlucky?
Robbie: You... (nods to the kitchen) You can earn a villa with this group.
Botany gave a sad and caring expression. He walked to the window facing the kitchen, the camera followed and zoomed in until only his head and the egg juice on the glass plate were on the screen. Botany saw the egg juice and quickly scanned the kitchen.
97. Interior, kitchen, daytime, medium shot.
We saw the dishwasher and the two kitchen workers from his point of view. They used to booby to Robbie, but had already consciously returned to their work.
98. Interior view, Berthany's office, daytime, medium shot.
When Bettany looked back at Robbie suspiciously, Antoinette knocked on the door, she opened the door, pointed at the restaurant and said
hurriedly — Antoine: Mr. Bettany, customers are waiting for the table Woolen cloth.
Berthany: I'm sorry, Robbie, the call for business.
Botany turned and left the office. Robbie turned around, and the camera panned him to the glass door connecting the partition to the kitchen.
99. Interior, kitchen, daytime, semi close-up.
Robbie stood in the doorway of the kitchen, behind him was the office. He is obviously not afraid of hostile behavior.
100-102. Interior, kitchen, daytime, medium shot.
The bartender we met when Robbie walked into the restaurant from the garden. He climbed the steps of the wine cellar with two bottles of wine, he was a little lame. When he approached the camera, we heard Robbie's voice outside the painting.
Robbie (French): Hello, Fossa.
Fossa stared at him indifferently and walked out of the camera.
103. Interior, kitchen, daytime, close-up.
Robbie watched him for a moment, and then heard——
l04-105. Interior, kitchen, daytime, close-up.
Lamil (French): Get out, Robbie!
Robbie turned to the source of the sound.
106. Interior, kitchen, daytime, medium shot.
Standing by the steaming sink filled with soapy water was a man with thick hair, his name was Lamir. The gaze he cast at Robbie was pure hatred.
107. Interior, kitchen, daytime, semi-distant view.
Full view of the kitchen. When Ramil told Robbie to get out of the kitchen, the whole kitchen was silent. When the chefs and cooks turned to look at Robbie, they let go of their work. Fossa watched. Robbie stood firmly, not leaving the dishwasher. Lamir carefully wiped his hands on the apron, then picked up a dish. He knocked the plate in half by the sink, then walked threateningly towards Robbie holding the zigzag half of the plate.
108. Interior, kitchen, daytime, semi close-up.
Robbie didn't move. He looked at Ramil warily.
109-111. Interior, kitchen, daytime, close-up.
Robbie reached behind and picked up one of the two bottles of wine that the bartender Fossa had just placed there. Throw a bottle of wine out of the picture with both hands forward.
112. Interior, kitchen, daytime, medium shot.
The bottle flew towards the dishwasher who came over. He instinctively dropped the half of the broken dish and picked up the bottle of wine with both hands.
113. Interior, kitchen, daytime, semi-distant view.
When the kitchen workers saw Lamir being disarmed so cleanly, their intimidation attitude changed to be at a loss, and they were no longer loyal to the dishwasher, and suddenly burst into laughter.
114. Interior, kitchen, daytime, semi close-up.
This will only add fuel to Lamir's fire. He grabbed the bottleneck and walked towards Robbie again. Suddenly came the voice-over of Bertanyue——
Botany (French): Lamir! Collect this bottle of wine and wash your bowl. Hurry up, hi!
115. Interior, kitchen, daytime, medium shot.
Robbie had already turned around, and Botanni pushed him back to the office. When Robbie left, he glanced at Ramil again. As a parting "gift", he picked up a glass and threw it out of the picture.
116. Interior view, Bethany's office, daytime, semi-distant view.
Through the open door, we saw Lamir holding the cup with his other hand, and the chefs laughed again. When Botany closed the office door, we saw Fossa the bartender walk by and grab the bottle of wine from Lamir. We could not hear him, but he signaled that the wine had been shaken and could no longer be used. Bettany closed the office door and complained-
Bettany (French): It's time for lunch, stop playing around.
Robbie: Even they thought I was making a comeback (camera moved to the kitchen).
Bettany: Yeah, they've been in jail with you... so the police think...
Robbie: Needless to say, "a fly destroys a spoonful of soup."
Botany (forehead): But since joining the guerrillas against the German fascists, I have instructed these people to be upright. I engraved loyalty and integrity into their minds. I don’t want them to abandon their vows and go back to prison. .
Robbie: Listen to me, if I betrayed my oath, it means they abandon principle.
Berthany: Remember, Robbie, a few of them have already considered the family.
Robbie (looks at the kitchen): I don't think they will rob themselves.
Botany (pursing his lips with a smile): Simple people-not educated? No, Robbie. Maybe it will kill in the dark, but stealing jewelry is impossible.
Robbie (turning around): At the same time, I don't think you will do such things.
Botany (again, dressing up in front of the wall mirror, smiling emotionally): I have my restaurant, that's enough. Now I can't even climb the ladder. If not... (indicating that he has a big belly. He turns around, showing a caring look) Now it’s time to go... If the police come...
Robbie (seems to be thinking about something): What I don't understand is how this thief can imitate me so exactly. One must be someone familiar with every technical detail of me. (Looking up) Maybe it was one of the police.
Berthany (sneer at the idea): Ah...that is.
Robbie: He chooses the right victim—as long as the gem is on the right path—he climbs up the wall, over the roof, down through the skylight, wearing black clothes, leaving no traces, and then disappearing into the night.
Berthany: Just like John Robbie, the cat, exactly the same.
Robbie (Fire): You don't trust me just like others!
Botany (indicating pain): Robbie, you are as nervous as... (laughs) I almost said "cat"!
Robbie: I know. (Pacing up and down) The imitation is only wonderful. Sometimes when I wake up I feel that I did it myself. (Bitterly) I don't like running away, hiding, leaving doubts in everyone's hearts.
Berthany: Whenever possible, I will protect you.
Robbie: Bottany, what can really protect is his own actions (pacing restlessly back and forth).
Botany (sincerely): John, sometimes you have to run away. (Looking outside the hotel nervously) Robbie, the police—will come anytime.
Robbie: If someone catches this-imitator, we can get rid of the relationship, right?
Berthany: Of course, yes.
Robbie: No one believes me—the police chased the wrong person. Someone has to chase the real thief.
Berthany: Someday he will make a mistake.
Robbie (pauses for a while): Botanni, there is only one answer. I should understand earlier that I must find this person who imitates me by myself!
Botany (raising his hands): You are crazy. How can you find another cat?
Robbie (freshed up): There is only one way to guess his activities in advance. Arrived at the scene before him, and caught him when he reached out to touch someone else's jewellery.
Robbie walked away and returned to Bethany. The latter was looking at him enthusiastically.
Berthany: Haha. If they catch you, no one will believe what you say.
Robbie: Who believes in me now?
Botany (thinking silence): Maybe they caught you-the theft hasn't stopped.
Robbie: I will be released within an hour.
Berthany: Do you think so?
117-121. (Originally deleted)
122-123 . Interior view, Berthany's office, daytime, close-up.
Robbie stared at Botanney, a little dazed.
Bertanni: Think about it this way... If I were a person who imitated you and you were caught, what would I do?
Robbie (has already understood his implication): Hmph...
Bottany (looking at Robbie's face): I stop stealing-they will never find me.
124. Interior view, Berthany's office, daytime, close-up.
Robbie (thinking for a moment): You have a rare technique to inspire others to speak their minds.
Robbie paced the room. Pull behind the camera and shoot into Bertanny. Botany's gaze followed him.
Robbie: The biggest problem is time. I must catch him before this plagiarism cat knows that I am stalking him. (Thinking while walking) Catch him as he moves. I want to know more reliable information than him, the kind of information that takes months to detect.
Bertanni: For example-who has valuable jewelry worth stealing.
Robbie (Quickly connecting the conversation): Where do they live, where do the gems exist, what time do they go to bed, how much alcohol do they have, do they have dogs, guns, servants, insurance...
He has nothing to say. Walk away, stop and turn around. At this moment, Bertanni sat down at his desk, opened the drawer, rummaged in it, with a contemplative expression. He seems to have found what he needs. He took out a visiting form and watched, Robbie quickly walked over, leaned against the table, and the camera zoomed in.
Robbie: Hurry up, Berthany, what did you get?
Berthany: You remind me of it. Two days ago, a man came to my restaurant-
his words were interrupted by a loud knock on the door.
125. Interior view, Bethany's office, daytime, semi-distant view.
Antoinete (opens the door, French): Sir, the police are here.
Inspector Lepic is in the garden. Robbie immediately walked to the end of the office by the kitchen to prevent the detective from seeing himself from outside the restaurant. Botany quickly stood up and followed Antoinette to the door, looking out.
126-127. Interior, restaurant, daytime, distant view.
In the garden in the distance, Lepic was talking to the foreman of the waiter. His assistant Mersier was examining the restaurant and customers.
128. Interior, kitchen, daytime, semi-distant view.
Fossa, the bartender, walked quickly into the kitchen and informed the people that the police were coming.
129. Interior, kitchen, daytime, medium shot.
Botany (to the cook, in French): The rest of you keep working, let me come, and I will tell him.
When the bartender came to him, he turned to him.
Botany (French): Has your daughter not finished the wine cellar list yet, eh?
Fossa (French): No, but I also...
Bottany (interrupting him impatiently, French): Do you have to stay in jail all night? (No answer, continue to use French): Take him to her. (Turning to Robbie, English) Fossa's daughter will send you away in a boat.
Robbie: Where to go?
Botany: To the beach club in Cannes. Waiting for the call there.
When Robbie walked out of the frame with Fossa, the camera panned Bettany back to Antoinette. In the distance, we saw Lepic walking towards Antoinete's counter. Botany got there and talked enthusiastically with Lepic. We see Berthany complaining about Lepic's arrival at the wrong time.
130. Interior view, wine cellar, daytime, medium shot.
Daniel is sitting at the top of a short ladder in the foreground, writing down the liquor inventory on a record board, behind her is the staircase leading to the kitchen. When she heard her father and Robbie go downstairs, she turned around.
131. Interior view, wine cellar, daytime, semi close-up.
She patted Daniel's face up, she was taken aback, however, she did not stand up. She is a sturdy French woman, about 24 years old, cheerful and likable. Although her thin summer dress is not luxurious, it has a clear taste and shows that she is not a long-term employee of Berthany.
132. Interior view, wine cellar, daytime, medium shot.
The two men walked towards her, pulled and lifted behind the camera, and photographed her in the painting. Robbie smiled brightly at her, but she only looked at her father. He pointed to it and spoke quickly.
Fossa (French): The police have just arrived, (nods to Robbie) They are here to search Mr. Robbie.
Daniel walked down the ladder and the camera followed.
Fossa (French): Botany asks you to take him to the beach club by boat.
She turned to Robbie without expression. He waited kindly. She looked at her father again, as if asking, "Are you serious?" Fossa seemed to transfer the anger towards Robbie to his daughter-
Fossa (French): Ay, what are you waiting for? Can't you understand me? What are you waiting for, hurry up!
Daniel shrugged slightly, softened, smiled at his father, and embraced his shoulder affectionately with one arm. They exchanged glances to show their close relationship. Daniel glanced at Robbie, then turned to the back of the wine cellar, then turned his head and said—
Daniel: Well, let's go, Mr. Cat.
Robbie (following her quickly): Well do it, Daniel, don't call me a cat.
Daniel (neither looking back nor stopping): I only do it once a day.
She pushed open a low door behind the wine cellar, strong sunlight poured in, and we caught a glimpse of the Mediterranean Sea in the distance. Now Robbie has caught up with Daniel. He grabbed her by the shoulder and turned her around.
Robbie: Listen, if you don't want to...
Daniel (breaking away from his hand, naively): Did I get your hair out wrong? Annoyed you?
133. Interior view, Bethany's office, daytime, medium shot.
We saw Lepic through the glass partition, and an anxious Bottany followed him into the kitchen. He walked into the kitchen and called a few cooks over one by one. They walked to Lepic coldly. He waited for someone to speak, and no one said a word. Then, he quickly stretched out his index finger in irritation to light them one by one in a threatening manner, but they were still stupefied.
134. Exterior scene, dock, daytime, distant scene.
Taken from the hotel garden. We saw a 25-foot-long speedboat swiftly turning a large circle into the Mediterranean Sea. Robbie and Daniel are on the boat.
135. Exterior view, hotel garden, daytime, close-up.
A close-up of Lepic's assistant Mersier. When he heard the roar of the speedboat's engine, he was still looking at the restaurant there. He turned quickly to face the Mediterranean. Lepic left the hotel angrily, followed by the amiable Bethany behind him. Mersier spoke quickly to Lepic, his head tilted towards the Mediterranean. The two hurriedly left the hotel garden; they ran to the police car, followed by the camera.
136. Location, small road, daytime, medium shot.
Mersier and Lepic walked quickly from the hotel road to the police car waiting for them. Lepic opened the door and reached for the wireless phone.
137. (Originally deleted)
138. Location, small road, daytime, close-up.
On the small road leading to the back of the hotel, Lepic leaned into the police car and spoke passionately into the microphone on the dashboard. He spoke French so quickly that he didn't understand it.
139. Location, Mediterranean, daytime, medium shot.
A high-angle shot of the whole body of a speedboat, which swept across the water, with the name of the ship written on the side: Mackey. In the background, we see the coastline and mountains in the distance. The ship is going around the Ferrat Strait.
140. Interior, speedboat, daytime, semi close-up.
Daniel is at the helm in the foreground and Robbie sits aside. She drove skillfully and seemed contented. The water splashed on them, she didn't seem to care, he wiped the water off his face-
Robbie: You wet us all.
Daniel (laughing, but not slowing down): They must be right. Cats don't like water.
Robbie (glances at her angrily): I will thank you and stop mentioning that word.
Daniel: A man should never regret his past.
Robbie: I only regret one thing.
Daniel: Regret that you never proposed to me?
Robbie: Regret that I never had time to teach you English.
Daniel: You only taught me nouns. I learned adjectives by myself.
Robbie: "Cat" is a noun.
Daniel: Not what you meant by this word. For you, it means excitement, danger, escape, and... wealth... (she turns her head, smugly) What about the word wealth? It means to have money.
Robbie (squinting at her): What are you thinking?
Daniel: Oh, nothing. I just think of you... Imagine you enjoy the blessing in a luxury villa, and we work like fools for a roll.
Robbie (not humorous at all): I also work to make ends meet...grow grapes and flowers.
Daniel: And emeralds, diamonds, and pearls...
He reached out angrily and quickly turned off the engine. The speedboat glided for a while and stopped. Suddenly everything was silent. Water waves hit the hull, and the boat drifted up and down.
Robbie: The school is reopening. Professor Robbie now talks about "indecent behavior"-or "how to be beaten in a commotion".
Daniel (challenging laugh): You can't influence me, I have graduated. (Pause) Are you going to South America?
Robbie (frowning angrily): Go to the beach club in Cannes.
Daniel: I often dream of going to South America. People say that it is a pure country.
Robbie lowered his head disheartenedly for a moment.
Daniel: I can cook, sew, and be generous to you when I am happy. No secrets will be revealed, and stolen jewelry can be sold on the black market.
Robbie (looks up at her): Daniel—you don’t think I’m responsible for the recent theft.
Daniel: I think yes.
Robbie (showing anger): Side by side with your father and friends who were in the resistance group.
Daniel: But there is a big difference. They were furious at you, I didn't.
Robbie (take a deep breath): Daniel, listen to me carefully. I stole it a long time ago. I went to jail.
Daniel: But they couldn't even trap you there-did they?
Robbie: "They" have nothing to do with this matter! Maybe you are too young to remember. At least, I think your father told you about it.
There was the hum of a small plane, and they looked up. Daniel turned to Robbie.
Daniel: Do you want me to believe that legend? The Germans mistakenly dropped the bomb into the prison? Set you all free (laughing happily)?
Robbie: I can show you how many people died in this "legend".
Daniel: But as usual, you are smarter than others, and you persuade them to join the resistance group.
Robbie (sternly): I didn't persuade anyone to join the Mackey guerrillas! I went there because I wanted to make up for what I did. You should know this.
Daniel: I don’t know what you want, I know what you got—forgiveness.
Robbie: It's not pardon, it's parole. We fought for 6 years before getting parole.
Daniel (viciously): It doesn't make much sense for those on parole now—uh!
Robbie: So far, they have not been able to get rid of the rumors.
Daniel: Don't you go to South America?
Robbie (shaking his head to indicate "not going"): Go to the beach club in Cannes, if you are happy.
Daniel (shrugs, steps on the engine): Well, in this case we should hurry up, the plane above may belong to the police.
He turned his head quickly to look at the sound of the plane. The ship started up and headed forward.
141. Location, Mediterranean, daytime, distant view.
The plane began to hover towards them quickly and descend.
142. Interior, speedboat, daytime, medium shot.
Robbie swiftly left his seat and walked towards the too narrow cabin.
143-146. Location, Mediterranean, daytime, distant view.
The plane dashed down and passed the boat.
147. Interior, speedboat, daytime, medium shot.
Daniel was at the helm, Robbie peeked out, and we saw the plane rise and make a turn.
147-151. Deleted.
152. Interior, speedboat, daytime, close-up.
Robbie (not at all anxious): Okay, when he flies over again, wave to him.
153. Interior view, speedboat, daytime, semi close-up.
Daniel (still shamelessly): Maybe he is not the type I want?
154. Interior, speedboat, daytime, close-up.
Robbie (a little annoyed): No matter what, wave to him! Behave as if you are a pretty girl out for a ride.
155. Interior, speedboat, daytime, semi close-up.
Robbie's point of view. Taken from the waterproof cabin in front of the hull. Daniel sat in front of the steering wheel in the foreground, and the plane above her crashed and dived again. Following Robbie's orders, she was ready to wave to the plane and the pilot, but added something of her own-crossing her legs and raising her skirt. Then she waved happily. The plane rumbled behind her, passing the speedboat very low.
156. Interior, speedboat, daytime, close-up.
Robbie (looking at the plane): It's not that pretty! We want to get rid of them!
157. Interior, speedboat, daytime, medium shot.
Daniel and Robbie, he carefully probed outside the waterproof cabin.
Robbie: How far is it from the beach club?
Daniel: Oh, maybe 15 minutes.
Robbie pulled away from the door, entered the front of the waterproof cabin, and got out of the picture. Hear his voice-over-
Robbie (slightly raises his voice): When you get there, float along the shore with other boats for a while.
Daniel: What about then?
Robbie: Then I get off the boat and I want to leave my clothes with you.
158-159. Interior, speedboat, daytime, semi close-up.
Robbie took out a pair of swimming trunks.
Robbie: Put it on and no one will recognize me. Where is the plane now?
160. Interior, speedboat, daytime, semi close-up.
She raised her head and glanced, and the rumbling of the plane was gone.
Daniel: It's high above the coast.
161. Interior, speedboat, daytime, semi close-up.
Robbie stood in the doorway and began to unbutton his shirt.
Robbie: After arriving at the beach, wait until there is no danger before handing over the clothes to me.
162-164. Exterior scene, beach, daytime, medium scene.
Robbie swims to the beach. We heard the voices of other swimming people and children outside the painting.
165. Location, beach, daytime, close-up.
The alert Robbie was looking at the sky.
166. Location, sky, daytime, distant view.
A plane was too high to see clearly, and left the sea after a full circle.
167. Exterior scene, beach, daytime, medium scene.
Robbie touched his foot to the bottom, putting himself in an upright position, the water was quite shallow. He walked out of the water carefully to the beach, and the camera followed. He disappeared among the crowd on the beach.
168. Exterior scene, beach, daytime, medium scene.
Robbie lay reclining on the beach. He stared at the sky again. There was a girl about 25 feet beside him, half kneeling and half sitting under the parasol. She wore a bandanna and sunglasses. The most striking thing was her simple but delicate swimsuit. She gently rubbed sunscreen on her shoulders.
169. Location, beach, daytime, close-up.
Robbie's eyes didn't look towards her, but looked away, as if waiting for someone. The two male legs were immediately drawn. Robbie looked up.
170. Exterior scene, beach, daytime, medium scene.
Shoot the beach up from his point of view. We saw a French guy in his early 20s. He wore a pair of short swimming trunks, showing a sturdy and shiny body. When he looked down at Robbie, he whispered-
Claudius (French): Sir, call.
171. Exterior scene, beach, daytime, medium scene.
Crowdy turned and walked away. Robbie stood up and wiped the sand off his body and followed him.
172. Location, beach, daytime, close-up.
The girl with sunglasses stopped her hand holding the oil bottle and turned to stare at him. Although we can't see her eyes, her interest in him is not casual.
173. Exterior shot, beach office, daytime, medium shot.
Robbie picked up the phone at the open counter. He spoke into the microphone vigilantly. Others couldn't hear what he was talking about. The people around him took towels, bought candy, cigarettes, and cold drinks, and so on.
174. Interior view, Berthany's office, daytime, close-up.
Botany was sitting at the desk, and we could see the kitchen over there. The egg juice on the glass partition has been wiped clean. He called carefully.
Botany: The person with the information you want will be waiting for you at the flower market in Nice, and he will find you. I told him that you would throw money into the air.
175. Exterior shot, beach office, daytime, medium shot.
Robbie took the phone and listened to Bethany. The camera zooms in until the head and shoulders of Crowdy, who is standing aside, fill the frame. He tried to pretend to be casual, but at the same time he wanted to hear the content of the call. He glanced at Robbie.
Fade out
176-178. (Original deleted)
Fade in 179-180.
Location, flower market, daytime, semi-special scene.
Nice bustling, colorful and busy flower market. Robbie looked around nonchalantly at the person he was going to meet, the coin puppet might be tossed to the bottom of the frame.
181. Location, flower market, daytime, medium shot.
Not far from the flower market, there was a public telephone booth. A man came out. He was Lepic’s assistant Mersier and was watching Robbie.
182. Location, flower market, daytime, semi close-up.
Robbie was still tossing a coin, looking for his contacts anxiously.
183. Location, flower market, daytime, medium shot.
Not far away, a man with his back to the camera was bending over to look at the flowers on the stall. He was well-dressed, although it was too formal for the Riviera's summer season—a thin suit, a narrow-brimmed woolen hat, and a bow tie. He still leaned over to look at the flowers, and when he turned to Robbie, he showed a curious and friendly look. He kept a handful of moustaches braggingly, and said only one word—
Huason: The other way around?
184. Location, flower market, daytime, semi close-up.
Robbie caught the coin in mid-air and pressed it on the palm of his other palm. He slowly raised his palm to reveal the coin, then looked at Hewson, nodded and smiled.
185. Location, flower market, daytime, semi close-up.
The man stood up straight and walked towards Robbie, the camera followed. The two are half close-ups.
Hewson: This is HH Hewson of the Lloyds Association of London.
Robbie: Do you know anyone who owns valuable jewellery around here?
Hewson: We insure most important jewelry in this area.
Robbie: Insurance company. That's gambling, isn't it?
Hewson: It's luck to some extent, but it's not a gamble.
Robbie: That's too bad. I want to buy you a big risk bet. It will be a little help to repay some of your losses.
Hewson: That's what Mr. Bettany told me.
Robbie: Are you interested?
Hewson: This suggestion will definitely arouse everyone's interest, although it is a bit unorthodox.
Robbie: Do you mean to do it or not to do it?
Hewson: Dear Mr.
Robbie - Robbie: Call me Smith.
Hewson: I'm sorry. Have you ever been married?
Robbie: No. Does this matter have anything to do with "thousand or quit"?
Hewson: It may help you understand my difficulties. I have two wives. Happiness-God bless them-and the London domestic office. I must live up to their love.
Robbie: I see. They will not approve of you providing me with a list of rich people.
Hewson: According to the official view, you are listed in the "extremely dangerous" category.
Robbie: Uh huh. (Begins to walk away) Well, see you later, Hewson, it's always a blessing to meet an insurance company agent who likes to pay huge and expensive compensation.
186. Location, flower market, daytime, semi close-up.
Hewson hurriedly caught up with Robbie, and pulled the two of them away side by side after the camera. Robbie continues to walk, the camera is slightly in front of them. Hewson and Robbie kept pace.
Hewson: Anyway, unofficially...you have hope.
Robbie (smiling): I'm sure there is hope.
Hewson (smiling): We are all taking big risks.
Robbie: Really? What will happen to you if I get caught?
Hewson: Well, I might be in trouble. It may even be criticized by the authorities.
Robbie: At the same time I will be sentenced to 8 years in prison.
Hewson (laughs): You have chosen a bad career.
Robbie: So, let's make a deal. I want to help you. I'll take all the risks, you get all the jewelry.
Hewson: Mr. Smith, this makes me suddenly think that only honest people can be so stupid.
Robbie: Thank you (look back cautiously).
187. Location, flower market, daytime, distant view.
In the population far away from the market, we saw two men in the crowd looking for a way.
188. Location, flower market, daytime, semi close-up.
The camera is still moving in front of the two. Hewson followed Robbie's gaze. Robbie quickened his pace. Hewson knew it well and kept up with him. Their conversation quickened as their pace accelerated.
Hewson: How many people do you want!
Robbie: Only the top six.
Hewson: What else?
Robbie: Address, habits, and provide whatever you have. Of course, there are instructions for jewellery and inlays (again, looking back).
189. Location, flower market, daytime, semi-distant view.
When the two detectives entered the scene and were a few yards away from them, Robbie began to sprint. Robbie shouted to Hewson-
Robbie: Where do you live?
Hewson: Carlton in Cannes (the two detectives passed Hewson and chased Robbie).
192. Location, flower market, daytime, distant view.
A view of flowers clusters high up in the market corner. We saw Robbie hurriedly avoiding the two detectives. When the detective came up from the opposite direction, he stopped abruptly. In an instant, Robbie seemed to be driven to a desperate situation. Afterwards, he quickly turned to Fu Dao on the side.
193. Location, flower market, daytime, medium shot.
Robbie hurried to the rain road and bumped into a man holding a large basket of freshly cut flowers. The basket is so big that you can't see the man behind it.
194. Location, flower market, daytime, semi close-up.
At the moment of the collision, the flowers rose into the air, and the screen was full of colors. It was only after the flowers were sprayed that the man was hit hard. Robbie turned to look at the chaser.
195. Location, flower market, daytime, medium shot.
The two detectives went around behind, while the other two intercepted him from the main rain channel. Robbie has no choice. He turned and climbed up to the flower stand in the middle, trying to find a way out. Before he found his way back, two detectives grabbed him and dragged him among the flowers. Right now, the sellers and customers in the flower market are all clamoring.
196-199. Location, flower market, daytime, semi close-up.
The other two detectives were also involved in disputes, and now the picture was chaotic, with arms, thighs, flowers, and heads intertwined, in a melee.
200. Location, flower market, daytime, medium shot.
Suddenly, Robbie found that no one had attacked him, so he stood up and stood alone among the broken flowers for a while, but the four detectives were attacked. He immediately realized that time was running, and took the opportunity to continue to escape.
201. Location, flower market, daytime, medium shot.
The flower dealers relaxed their attack on the detectives, and the detectives were able to stand firm and hurriedly chased Robbie. When the detective ran away, the head of the flower dealer ran towards Hewson, and the camera panned. Hewson gave him a wad of francs.
202. Location, flower market, daytime, medium shot.
A detective rushed over to grab Robbie, and he was immediately tied up.
203-205. Location, flower market, daytime, semi close-up.
Hewson was already smiling with satisfaction, but when he raised his head, his smile disappeared. He saw in frustration—
206. Location, flower market, daytime, middle shot.
Robbie was taken away by detectives.
Fade out
207-227. (Original deleted)
Fade in
228. Exterior view, Robbie's villa, daytime, medium close-up.
With a compact two-person lens, Robbie and Hewson are sitting on a low stone wall outside Robbie's villa with a pleasant view. Among them was an ice bucket with a bottle of champagne iced in it, and they each held a glass. Hewson's glass was empty. Robbie took the dripping bottle from the barrel and poured the rest into Hewson's empty glass. Hewson stretched out a hand to block it-
Hewson: I'm sorry, dear friend. Do not drink during the day.
Robbie did not answer, and continued to pour the wine. Hewson made a gesture of tolerance. When Robbie put the bottle back, we heard the voice of a woman outside the painting-
Germaine (French): Lunch is ready.
229. Exterior view, villa, daytime, semi-distant view.
Smiling Germaine stood waiting on the terrace.
230. Exterior view, Robbie's villa, daytime, medium view.
Robbie and Hewson stood up and held wine glasses.
Robbie (refers to wine): Take it to eat?
Hewson had to finish the drink quickly and smiled at Robbie. He put down the cup and followed Robbie. The camera followed them on the terrace.
231. Exterior view, terrace, daytime, middle view.
Robbie and Hewson came to the patio to sit down for lunch, and the camera zoomed in. Germaine arranged the dining table concisely but beautifully. She has walked into the house to get the first dish.
232. Exterior view, terrace, daytime, semi close-up.
Hewson looked at him quite appreciatively, and Robbie was busy opening a bottle of wine. When Hewson looked around, he saw-
233. Exterior, terrace, daytime, middle view.
Robbie's cat that we saw earlier was sleeping on a chair nearby.
234. Exterior view, terrace, daytime, semi close-up.
Hewson turned his head to face Robbie, and pointed to the sleeping cat.
Hewson: In the current situation, don't you think it helps propaganda?
Robbie (lovely): He hasn't left the villa in years (pulling the cork and pouring the wine).
When Germaine brought out the first dish, the camera slowly pulled back. She put two bowls of thick stewed broth in front of them and walked away.
Robbie: Do you like this place?
Hewson: I like it very much. This is the kind of paradise on tourist folding promotional materials-a place where people dream of going after retirement.
The two ate and drank silently for a while.
Robbie: Now continue to talk about your list of customers who have jewelry worth stealing.
235. Exterior view, terrace, daytime, semi close-up.
Hewson was drinking with a small sip, put down his glass and looked away undecided, and smiled enthusiastically when he turned around.
Hewson: Why don't we taste the food first? Some are time.
236. Exterior view, terrace, daytime, semi close-up.
Robbie (with a resigned expression): I don’t want to make people feel impatient, Hughson, but within ten days I really have to do something quite convincing for the local investigator—(smiling ) France has a good habit... Temporary freedom based on unfounded basis.
At this time, Germaine came in and took the bowl of soup.
237. Exterior view, terrace, daytime, middle view.
Robbie filled their glasses as Germain walked away.
Hewson: Bettany said that you are a bit famous in the resistance organization.
Robbie stood up and walked to the terrace to look at the scenery and pulled the camera behind him. He replied as he walked-
Robbie: Yes, I was fighting against German fascist guerrillas.
Hewson (the child is almost childishly asked): Have you, uh-killed many people?
Robbie (without hesitation): 72.
At this point, Hewson ate a roll and chewed meaningfully. Robbie turned around.
Robbie: I know what makes you happy, Hewson.
Hewson stopped chewing.
Robbie (smiling): None of them bought insurance.
Hewson laughed at Robbie's little joke.
238. Exterior view, terrace, daytime, semi close-up.
When Hewson smiled at Robbie, we could see that although the latter had a previous conviction, he had a good impression of him.
Hewson: You are obviously a person (pointing to the villa) who has a good taste for everything... why are you... why are you doing that?
239. Exterior view, terrace, daytime, semi close-up.
Robbie (walks to him a step or two): Stealing?
Hewson (outside the picture): Yes.
Robbie: Live a better life-own things I can't afford-get the elegance you enjoy now.
240. Exterior view, terrace, daytime, semi close-up.
Hewson (a bit surprised): Do you mean that you were unscrupulously dishonest?
241. Exterior view, terrace, daytime, middle view.
Robbie approached the table, and at the same time, German entered the picture with a Lorraine lard and ham cake and two plates.
Robbie: If you can climb a five-story building outside the house with a small amount of valuable jewels, take a shortcut from the glass skylight, and run away from the roof, it would be dishonest, yes.
Germaine put down the hot plate and cut open the Lorraine lard and ham cake. Hewson cast a warning look at Robbie because of German's presence. Robbie smiled and shook his head, motioning to Hewson not to worry about her.
Hewson: I think you should take precautions. There are some legends that have gone through hardships. Your mother ran away when you were young and your father beat you...
Robbie: No. I was originally an actor in the American High Swing Show in a European acrobatic troupe, but the acrobatic troupe closed down, so I couldn't do anything. So I used my dexterity and dexterity f
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