A side.
The sound of the East and the West is the best.
The title was changed, and half of the content was deleted. Miss Hideko's mind was deliberately blank, but her hands were itchy, and she turned back to the movies she had watched, but she felt it all the time. Just do it all at once
Many netizens say feminism.
It reminded me of the remarks I made when I was discussing a problem with a friend, that is, the real ability cannot be used frequently. Since martial arts are divided into Huaquan Embroidered Legs and Jiuyin Zhenjing, there is a reason why the latter is rare. Take playing, for example, a point guard's duty is to pass the ball. But don't let people think that you can only pass the ball. Passing is power, scoring is power.
It's hard to describe why it has anything to do with this, because I don't think there's anything feminist about this movie. It portrays men too stupidly, and also portrays women's real wisdom too shallow. It's just that women have the upper hand in terms of visual proportions (including the frequency of physical appearance and story orientation). It's not surprising that the director's style dictates. But "All the time" made me truly appreciate the inner world of women. In short, the director really didn't think about women's rights. ("I'm just an old man with dirty hobbies")
From the perspective of the plot adaptation, I have always been reluctant to compare it with finger-craftsmanship, because when it is compared with cross-border, cross-background and cross-cultural things, it has already been compared with cultural discounts. I have seen the British version and feel that the psychological portrayal is delicate. Seeing what the lady said, there seems to be a short comment that is very popular, "I only see Jiaopan but no mercy." The first time I saw this sentence, I couldn't agree more. Maybe Miss Hideko is too beautiful, and I am willing to put aside the objective and sleep with her. I personally think that movies are the only way to spy on a director's heart, and stylization is the criterion for being called an excellent director. We see Stoke from Old Boys (sorry my viewing volume is really disgraceful) high saturation colors, symmetrical proportions, including porn, revenge, octopus, pigeons, pistols... oh sorry Johnny over there Wrong way...Wait all these things, which are labelled almost like Wong Kar Wai's cans, is a complete Park Chan-wook work. The moment I saw the poster, I swallowed with excitement, as long as you The love bean that I love has not evolved from a spring break to a ferryman, what can I ask for, please? The original also said that I saw Director Park's adaptation of the script rather than being based on, but rather a completely inspired new work-inspired by. The story itself is really an unimportant carrier. The montage on the screen tests the director's ability to copy and use tricks. In the creation of the story, Park Zanyu turned it into a pro-product of the vulgar old man. , as long as you don't change your mind, please continue to hang yourself on a dirty hook for a hundred years.
My personal ability to interpret the story is low (a monologue with a mental retardation). It is already a second time to understand the story, so I don't know if you people with normal IQs think that the storytelling method of this script is difficult to come up with after reading Lao Park. Second, both directors used at least two parts to explain the complex character relationships of the script itself. It is interesting enough. In Park Zanyu's adaptation, the earl's perspective has been added to make the despicable and despicable, and the women appear affectionate. . So when the feelings come, it is very moving. Miss Xiuzi read all obscene things at a young age, but it is a real blank paper. Such a contrasting character can almost be compared to a domineering president but still blushing and heartbeat when holding hands, Nan Shuji is greedy for property but full of justice and Pity, the count is clever and cunning but miscalculated in the love of two women. People who haven't seen the movie get these three characters, I'm afraid they will make up more than one kind of plot. And under the shaping of this full character, the plot is even more tense.
Okay, let's talk about bed scenes.
1. The posture is too fancy. It seems that the maid has opened the door for the young lady to get close to people (from parents, sexual enlightenment), but friends, most of the postures are unlocked by our Hideko (reading is really good).
2 The handshake in the scissors position is interpreted by everyone as an alliance flag. Audience friends, you are too Lu Xun, so maybe it is just to not fall. And in that part of bj, I personally agree that there is no beauty to talk about, and there is really only a sigh of relief here. (And don't call out the realism just because the maid's head is full of liquid, for fear that people don't know what you've experienced?️)
3 The whole film who cheated me of two lines of tears was indeed in the bed scene. It was the last bed scene. While showing her strong and flexible left hand, Ms. Xiuzi asked her female partner whether she would abandon her while her eyes were full of prayer and pity. I thought that a woman couldn't hide her thoughts when she gave her body, and she wouldn't lie when she was naked. Miss Hideko's fragility and anxiety from childhood to adulthood found her sojourn at that moment and became a truly brave lady. After that night, he would rather scratch himself than let a man take half a step closer to him. I don't know if such a plot is still unfeeling?
In the deleted scene, there is a scene where the maid is aware of her feelings, but she is still loyal to the scam to persuade the young lady to fall in love with the earl. At the moment when the young lady closed her eyes and sighed, this scene was cut out, because there was no pull-up film, it was speculated that it should appear in the second narrative from the perspective of the young lady, and was discarded to satisfy the pure purpose of the narrative between the parts. A wonderful performance of the show, after seeing it, I applauded Jin Taili's acting skills (another good actor with a stubborn and stubborn debut), and closing his eyes contained heartbeat, helplessness, choice, dilemma, and escape. Fans who can sleep until their idols are really not ordinary fans.
B side
I try not to write the following as a love letter.
Kim Min Hee is like a cat like a candy cube
I have never known her before, nor have I watched any of her works. After this one, it was difficult to get out of the plot for a while. This role took up almost all of my weekends. I made up for her high-rated Several works, and at the time when she eloped with Director Hong Sangxiu, because she wanted to get to know Director Hong, she made up several of Director Hong's excellent works.
In "Actresses", she vividly expresses her spiritual self and her sense of detachment in the crowd. It is not her performance. Maybe she is like this. Even when filming other celebrities, she in the corner of the camera is holding a mobile phone and sending messages, which will make people feel a desire to spy and control.
But just like Miss Hideko, she is a very pure person when she is emotionally moved, willing to give everything, to make compromises, to do her best, and to please her lover without hesitation, and the stickiness melts around her lover.
Director Hong... Let's put it this way, if one day he won the trophy, he might have found a camera and passed it to him. Hong's lens is a typical celebrity effect. I'm already a famous director. I can shoot it right. The level is limited and I can't quite understand the lens language of this method. But it is not difficult to see from the works that he is a thorough lover. There is not a work that does not talk about men and women. Most of the men in the works do not have a more handsome face, but they have the ability to attract women. The point of view of telling stories despite the differences between men and women is absolutely inclined to men. This point reminds me of Lou Ye. Lou Ye is a male director who fully understands women's logical speech with women. Therefore, Lao Hong's films are absolute treasures of machismo straight men's cancer, and for me, a person who has a biological aversion to men who would definitely launch a lesbian equality war if I lived in Milk's era, he His work is shameless himself, a lower-body animal theory mixed with wretchedness and weird tricks.
Kim Min Hee hides the smell of all women. All the qualities that fascinate me, independence, beauty, tenderness, purity, decisiveness, affection, laziness, casualness. Or cunning, clever, evil, selfish, sensitive, vulnerable.
I, who never follow popular film reviews, borrowed a phrase from the hot reviews. If I can sleep with Miss Hideko, I am willing to live in a lunatic asylum for the rest of my life.
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