above should be the director's estimation of the general audience's feelings after watching this film. But please note that it is a film, but I just see it as a seductive documentary.
The other works of this female director have not been seen, so I don’t know what the style is. However, since this film is adapted from a real story, it is naturally quite difficult. The end of the thief is naturally to go to jail, and the audience is undoubtedly looking forward to a celebrity wardrobe larger than their own house and filled with various limited products. Here, I would like to thank the great director and Miss Paris in advance. I am satisfied with the scenes that common people like me are looking forward to. However, why did the big director spend so much time asking the popular Miss Watson to perform a documentary about "Who opened my wardrobe"?
I thought that the director would focus the story conflict on this group of arrogant and lustful “Let's do shopping” but in fact, the Bling Ring thieves, who have a small abacus, will eventually go to jail for adaptation due to various mutual framing. The chronological recording of each time the hero and Rebecca join the show, the team picking of the baby and the change of patterns by other small partners, but the film's hastily explained character personality:
The male protagonist is an indispensable role in a typical school drama: the unwelcome airbag is tuned into a cool kid's little follower. He gradually found a sense of identity by following Rebecca. If he is greedy for vanity, it seems too hot. I remember a small clip was shown in the film. After he and Rebecca succeeded in the first "shopping", they ran to the clothing boutiques on the street instead of first-line brand stores. What the male protagonist enjoys is not the self-pity standing in front of the wardrobe. It is not "the same style of celebrity", not a label, but a kind of attribution. At first, he mocked that people were obsessed with "male and female thieves" for what he did, and finally he was planted with nearly a thousand attentions inexplicably. From the beginning, the corners of his slightly raised mouth forced me to imagine that when he learned of the betrayal, he was wearing those pink pointed high heels, his feet buckled and fell to the ground.
I have to mention Chloe. Until the end of the film, I didn’t know that this Goldilocks came from a middle-class family in the United States. She didn’t seem to have the troubles of the male protagonist suffering from integrating into the new circle, nor did Rebecca and Niki’s morbid pursuit of fashion. It's just a vulgar hobby that is purely fun. Personally looking forward to the unfolding is the plot of her as a whistleblower seeking self-protection, because she is very concerned about her wicked smile after the male protagonist sells the stolen goods to her boyfriend at a low price. Unfortunately, in the end, her sense of existence was limited to the large white Dior handbag when she walked out of the courtroom.
Film expression techniques such as "irony with mediocre narrative techniques", I haven't studied much. Given that the theme of this film is satire, no matter how Yangchun Baixue's technique deviates from the most basic transformation, then it really has to check out NickMooreForever.com.
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