The structure of the play is clear, the sections are arranged properly, the use of shots is flexible and smooth, and the visual effects are full. [Smiles] But there is no one I like in this story. The adoptive mother and the housekeeper are kind tool people. It is disgusting for the heroine to act like this no matter how big the grievances are. There is no problem if the character has shortcomings, but the lack of morality and literacy is too much. The success of her vengeance will only make her a new baroness, with an ever-increasing love of power and a narcissistic, conceited loss of the world. The protagonist is also blackened. "Joker" is obviously critical. This film praises the heroine and forcibly washes the ground, forcibly let her hang up, let her succeed, and let her have good people to treat her "with the respect of her family" love" obedience. The ending I thought was that the heroine and the baroness faced off, winning with her own wisdom and reliable team, leaving the old witch a complete defeat and nothing, she got everything she wanted before, and more. However, completely blackened, she had a conflict of values with her two friends, a benefactor, a butler, and a reporter classmate and broke up. The heroine reflected, poured out her heart to the deceased adoptive mother in the park, spent the dark night of her soul, and knew the way she walked and the methods she used, which was no different from the baroness. Next, she has to work hard to get rid of the evil nature brought by her genes, even if she destroys her innate design talent. This transformation made the little friends come back to her again, show their magical powers, help her get out of the darkness, and have the happiness that a real heroine should have.
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