This movie feels like a great fashion movie to me. The setting and costumes are really nice. Is this a high-level movie that I can watch!
Halfway through the movie, I wanted to say that the pace of the plot was also very good, until the scene where the mother-daughter identity of Kuila and the Baroness was revealed.
The arrangement of this episode is very unreasonable. There is no foreshadowing in front of it, and it is very inexplicable to tell you their relationship at the door. After watching this clip, I first complained about this sudden setting with my friends for a long time. After I finished, I thought that this setting might have a certain sublimation effect, allowing the heroine to have a better understanding of her own evil or It is also a good arrangement to help with mental breakdown. But no ah ah ah, disappointed.
Before and after the contact, the screenwriter probably wanted to use such a design to play a role in changing the character of a heroine before and after, but you can't explain it logically. The heroine went from the simple madness in the front to the rational revenge in the back. How could this precipitation process be because she knew that her nemesis turned out to be her biological mother who abandoned her? ? Don't normal people just collapse directly, how can they become calm instead? The wicked has become even more wicked, can it actually make people reflect on the past? At this time, shouldn't normal people run rampant on the spot and rush to her house to set fire to murder? How good you put this clip in the front as a fuse for the first stage, it's really nondescript here.
After watching the movie, I personally think that the role of the mother-daughter setting has two functions: explaining the source of Kuira's evil and how to obtain her mansion. But in fact, the audience doesn't need you to explain too much why Kuira is born bad, just like we don't need to know why princesses are born good and beautiful. Combining the above, in order to play these two roles, the screenwriter can put this clip in other places for information supplementation, rather than at the important node of Kuila's character turning point.
The rating is now 7.0, which I personally think is appropriate. After all, the costume design inside is really beautiful to me. Emma's makeup looks so beautiful, and the moth dress is also engraved into a nightmare. But this mother-daughter clip really pissed me off, so I only gave it 3 stars.
(I'll change it to 4 stars when I'm relieved
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