In fact, I started watching it with the idea of revisiting childhood classics. From the perspective of the role, Kuila played by Emma Stone in this movie may not fit the library of "101 Dalmatians" in our impression. Ira, but very much in line with Kuera under the Disney line. As a Disney film against childhood characters. The remake of Kuira fits in with the unconventional trend of Hollywood characters. Aside from the plot with different reviews, the costumes in the movie "Kuila" are indeed very good for the expression of fashion. Some say the film reminds them of Anne Hathaway and Meryl Streep's The Devil Wears Prada. There are indeed similarities between the characters. However, the core of the character conflict in "The Devil Wears Prada" is the conflict of values, while "Kuila" is about the struggle for power and the feud based on past hatred. Watching "The Queen of Prada", most girls empathize more with working hard in an unfamiliar workplace - especially the sense of pride and accomplishment that is recognized by the great devil after working hard in a workplace that girls dream of. Although "Kuila" also builds several bridges like "the baroness at the top of the design pyramid favors the design of unknown girls", but based on the fact that the baroness is a murderer from the beginning of the film The fact is thrown in front of the audience, and Kuila's confident character and attitude that does not require approval, the "approval" of the baroness makes us feel ridiculed, but also makes Kuila feel ridiculed. The reason is that from the very beginning, Kuila's purpose was not to gain the Baroness's approval, but to step on her head and tell everyone that she was the genius designer. She stepped on the baroness again and again, ascended in the name of revenge, her ambition was wrapped in the syrup of justice, and even her contrived posture became cute and refreshing. Overall, this is a movie about fashion, based on Dody. Smith's novel, set in London during the punk rock revolution of the 1970s. Through the combination of Emma Stone and Emma Thompson, the film has created a film full of performance tension and texture, but there is absolutely no humanistic feelings and rebellious thinking behind it. There are mixed blessings and sorrows in the film adaptation, one big advantage is that this commercial consumer film is wrapped in "fashion". This is a comedy fashion commercial blockbuster with retro, rock, punk, and dark elements. The plot, narrative, and cinematography, including a variety of pop, blues, and rock soundtracks, create vivid tension in the film. These routine operations meet a large number of commercial film needs. The two Oscar-winning actresses joined forces and spent 1.2 billion to create a fashion movie, and the costumes of the film also won Oscars. It can be said to be a very complete and mature movie. The costumes are gorgeous, the plot is clear and easy to understand, the music has the characteristics of the background at the time, and the editing between shots is smooth. Recommended.
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