This is a film that reflects the process of creating a non-criminal novel. It's a coincidence that the translator arranged the protagonist to have the same name as the servant (fortunately, even the old Chinese translation is different from the last name. If you are good at association and proficient in Hong Kong translation, you can probably guess the real name below), watching the people in the movie One bite of "self" feels really weird + the inner cow is full of faces... But the above is not important, the important thing is that the servant has even read one of his novels, the movie version found a servant and he felt super different He played the heroine, and the woman has now come to him to discuss it. The novel is called "Breakfast at Tiffany's".
Although it is a slow-paced movie, its attention to detail is still quite attractive, and it is definitely not a hypnotic magic sound. The coordination of the camera and the background music is quite restrained. Using such a rational approach, but still quietly revealing the quiet and sad picture, the voice that sounded slowly and timidly was Truman Capote (the surname is pronounced kəˈpoʊti) played by Philip Seymour Hoffman, a An extremely complex, sensitive and fragile genius writer who saw business opportunities from the massacre and wrote a non-fiction novel to gain both fame and fortune. With this role, Heath Ledger, the male protagonist of "Brokeback Mountain", successfully kicked off Hoffman's strength and won the golden statue. There is no doubt about the strength of Hoffman. It is not only the feminine voice and behavior that impresses the judges. Perhaps the handsome Capote is more in line with the glitz than him. However, there is no other actor who can delicately show the inferiority and cowardice behind the flashy vanity.
There is no sensationalism and exaggeration, but just quietly let the audience watch it. After that, the emotions of the people in the play will naturally overflow the screen, which seems to be the feature of this Oscar. If "Crash" kicked "Brokeback Mountain" as a "victory of moral dogmatism" (this statement is a bit unjust), then Heath's maturity is too young in front of Hoffman, who supports the whole film alone.
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