4.6
We'll never know the heroine's name, and we'll never know what Rebecca looks like. I always feel that the plot of the novel does not fit well with the movie. This incompatibility stems from the fact that many moments cannot keep up with the development of the relationship between the male and female protagonists. Sometimes the female protagonist is online and the male protagonist is not online; in fact, the film is not as good as everyone thinks. In retrospect, I think everything was so beautiful, the room with heavy veils, the intimate love between the male and female protagonists, the shaky and cautious appearance of the female protagonist in the big house in plain clothes, and the fat lady who turned her head towards the girl at the beginning of the power table. The Lord's contempt, but I always felt like I was watching a documentary. The male protagonist loves the female protagonist's innocence, and because he is greedy for innocence, he has been slow to tell the truth. He foresees that after telling the "truth" to the heroine, she will mature within a few hours, and "nothing can go back," he said. I still feel a little creepy seeing this (not that the plot has a male protagonist objectifying a female). Does the male lead really tell the female lead the truth? The movie clearly shows that r is still alive in the cabin, and the innocence of the male protagonist reduces the depth of the plot we can dig. Wouldn't it be more scary to say that the male protagonist killed r, but said it was manslaughter to all close people... Because the plot of the movie adjusted by some regulations, instead, the male protagonist was nailed to the role of manslaughter, so that Only the female protagonist will have the expression of joy that is shocked and want to laugh wildly, will burst out all love and self-confidence, and will be more persistent towards the male protagonist. Well. I have to make up the final plot of the novel.
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