I heard the name "Butterfly Dream" a long time ago, and I already had a basic prototype in my mind about how to shoot this story.
Zhenbao in "Red Rose and White Rose" first met Wang Jiaorui and found that she resembled her first love named Rose. Borrowing the corpse to bring back the soul is already a common method, not to mention the typical way that the newcomer wears the old clothes, which is a typical way that Ellie has used Zhen Huan and also makes it too difficult to watch.
But after all, it is Hitchcock. Before I saw it, I thought that Rebecca would be mentioned so often that it had the effect of "even the reader will be excited when the name is mentioned". But only at the beginning, when the heroine didn't touch Rebecca at all, did she have the design to quickly cycle Rebecca's name. Later, she mostly appeared as the "R" on things in the house or the name of Mrs. Derwent... …
That's right, she's not a concrete person anymore... She's an atmosphere, a kind of fear, just like the causes and means of ghosts in Japanese horror movies will never be rationalized, the more illusory the more terrifying.
My favorite scene in the entire film is when the hero is in the cabin, whispering about Rebecca's death. Following the male protagonist's self-report, the camera aimed at the air, stepped across the door, got up from the sofa, walked past the mirror, got close to the male protagonist, took a breath, and finally fell into the hut.
beautiful! It's short for the whole movie, Rebecca never shows up because she's everywhere.
ps: The only moment in the whole movie that the heroine is sure of getting love is the moment when she becomes the accomplice of the male lead. I like this little setting very much.
Finally, let me praise the poster. The design of the album is not out of date today.
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