Xing Ye said that many of the comedies I made were actually tragedies. Just to list a few: Will there really be immortals coming to the rescue at the end of God of Cooking? At the end of the King of Comedy, Karen Mok came to play a drama. Can Yin Tianqiu really stand out? At the end of the King of Destruction, is there really an invincible hot wheel that can save the goddess of counterattack? Looking at this film again, it is just a daydream used by a child who was bullied by a bad boy after fighting his injustice to comfort and vent himself.
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