Disney's story of Mulan follows the same lines as any Disney princess series, but it's clearly not a Beauty and the Beast or Snow White fairy tale. At best, it is to simplify the story and contradictions, to model the story to make it more suitable for children's thinking, and to become a family-friendly movie. At worst, it is arrogance and laziness caused by past successful experiences, and commercialization. The pipeline works carelessly. Cartoons have begun to feel old-fashioned with such a template, and live-action movies will give the audience wrong expectations.
Just like "Pocahontas" cannot show children how the British colonists brutally slaughtered the Native Americans, from a certain moment, Mulan threw away her armor and scattered her hair to fight for the beauty of the picture. The fairy tale nature of the story is completely exposed. The only purpose of this film is that the actress who finally introduced Mulan to meet the emperor was the Asian actress Wen Mingna who dubbed Mulan in Disney's "Mulan" animated version. The degree of inattentiveness of other people can probably be seen from "Donnie Yen is the only person in the whole film who can pronounce the four tones of Chinese".
Under the background of all the Han people without makeup, they also drew a gothic eyeliner for our Xiongnu, and our good friend of the Xiongnu is also very Gothic in clothing. We, who have also suffered from cultural misappropriation, have to say, thank you Ang is pretty good.
The only thing that makes sense is the intersection of Miko and Mulan. You men report the grievances of the city and loot the land to wage war, we women join the army for our father; you men occupy the right to speak to define glory, we women are displaced and constantly try to find their own social coordinates; Opponents can settle down in this society. What to say, #males can't# .
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