This screenwriter either regards ancient Chinese people as scallops, or he is a scallop. The story is inexplicable, the scene switching is inexplicable, the martial arts is inexplicable, the fairy sister sees a "true" and has an epiphany. You have an epiphany and decide to go back and restore your female identity. Now, the Rouran people flew over the wall to attack the city and vomited. What kind of nomadic people are such cows, and it is better to be a superhuman nation ahead of Genghis Khan's hegemony. Fighting in the middle is a child's play. I feel like I want to pay tribute to the brave heart, but it makes people feel funny. In ancient China, there were tens of thousands to hundreds of thousands of wars, and there were not even a hundred people. Why is the hobbit next door? The battle is so spectacular!
There are also Rouran people who are dressed like blackened base personnel, and the avalanche can still be played in the decisive battle in the Central Plains, but considering that Hakka Tulou in the south can appear, then the avalanche in the Central Plains should not be a big deal (mistaken) It's a more wise comparison. It's hard to imagine that in 2020, there are still more embarrassing relationships between male and female protagonists than ancient idol dramas. Good feelings without foundation, deterioration without foundation, acceptance without foundation.
What the hell did the emperor wear, and accept a duel as the king of a country, wtf? An emperor only listens to the prime minister's words, and has no close ministers to help him explore the bottom? The setting of qi is even more nt, what is the principle of qi, why is Gong Huang able to transform, but not the fairy sister? Gong Huang's claim to be super-power immortal power is no exaggeration, right? Wouldn't this really be offered as an immortal in ancient times?
Gong Huang's death is also inexplicable. If you go down and kill the boss next to you with one claws, will it be all right? And you have become a dragon savior. Everyone will accept you. Have you reached the peak of life properly? If you don’t listen, you have to come and send people thousands of miles away.
The middle plot is Disney's traditional narrative, doubt-struggle-failure-struggle-recognition, nothing new, seeing the beginning and seeing the end.
Many scenes were filmed in Hengdian, and several scenes of the palace felt like watching more than a new year. What about Disney, which pays attention to scenes? Why not spend a lot of money on building tulou and spend money on special effects and war?
When it comes to special effects, is it really Hollywood special effects? It can't compare to the domestic Chang'an twelve o'clock. I really treat the audience as scallops.
This year, Emperor Chuan broke our stereotype about American salvation, and Disney broke our stereotype about Hollywood. Now I don’t believe that Americans can make the Three-Body Problem.
There are too many flaws, I don't know what to say for a while, let's talk about this first
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