A movie worth watching a second time ❤️

Reagan 2022-04-24 07:01:05

It's too much like Mulholland Road, but the two are two sides of the mirror in the core consideration. Moohe uses the traction of dreams to do rapid constriction (cohesion) in an expansive environment, while Yaoye uses the road between scattered points to do endless extension (radiation). From the perspective of the right to speak and the sense of gaze, I still feel that this work in the early years is just a dark path to Mulholland Drive.

Isobel 2022-03-26 09:01:04

Rewatch. Six-star movie, postmodernist model. Lynch's image points to the future, and any psychological deconstruction is useless. Imagery is perceptual, and as we hit the dark road with David Bowie's I'm Deranged, we've become jazz musicians in a frenzy. Sexual, violent, bizarre, we're madly absorbing Lynch's video drug, turning off the sun, and pulling the stars down from the sky. Death and fear surround us. The change of identities between maintenance workers and musicians, the death of Dick Lauren, "true and false when false." We can't tell the difference between the real and the fake, let alone know the boundary between the real and the fake.