If there is anything worth remembering about "Brooklyn", it should be its beautiful soundtrack.
A mediocre story may not fail to shine, such as "Bridge of Spies", but relatively speaking, the pacing of "Brooklyn" is too poor, and the general feeling of watching the whole film should be "This is the end? How does it feel that the story has just begun? "
The film is divided into two parts, the first half is not bad, although the foreplay is a little long, but at least it makes people feel that it has entered the topic, but the film is obviously not intended to... It is deeper, it reaches the depths of human nature, and it shows the dilemma of people who have left their homeland more vividly.
It failed, it chose the wrong direction, it chose the direction that the marriage would not survive for seven days, and then at some point before the end, it turned back. This greatly discounted the story, and the ending of the ending is wonderfully similar to the ending of "The Flower of the Other Side" (book) to complete a reincarnation.
This reincarnation is really good, but the story of the affair in front of it makes people feel a bit like a stalk. What a perfect woman Alice was when she said "I don't need to think about it" on Long Island.
But it is conceivable that the arrival of Irish people in New York hundreds of years ago will definitely resonate with the many independent women of the new era who have left their hometowns and struggled in big cities, not to mention the Americans like colleges.
Imagine if "Brooklyn" did not choose this direction, but chose to be a slow-paced "Mad Men", wouldn't it be better?
The actor's delicate expression, the heroine's exquisite presentation of the characters' different mentalities at different times, and the chanting "We love the lovely blue eyes in "Lovely Bones" from countless fans, the outstanding performance of many supporting actors in Brooklyn, They were all held back by the script.
For God Sake, You are just married.
Don't invoke God when talking about extramarital affairs.
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