1979 Manhanttam

Carol 2022-04-23 07:01:42

Woody Allen has almost become my moral model. He vents his thoughts about self, love and life with ramble movies, sarcasm and neurotic romances. Neuroticism is a wonderful word, but at the same time paradoxical and painful. Like all good artists, Allen has an extraordinary physique, that's the reason why he could perfectly personalize every city. But he is also sober, possessing the pessimism of an artist and the lashing eyes of a bystander. Fortunately, he also has a talent for making movies. So he can record this kind of pessimism and cold eyes in every frame at the same time.

I'm obsessed with Woody Allen, presumably having this restless and calm soul, keeping the thirst for the greatest propositions and the wonderful fireworks of living in reality.

This is probably the first black-and-white film I've ever watched. Allen's early film, Manhanttan (1979).

Naked and relentless self-criticism: "He was given to fits of rage, Jewish liberal paranoia, male chauvinism, self righteous misanthropy and nihilistic moods of despair. He had complaints about life, but never any solutions. He longed to be an artist, but balked at necessary sacrifices. In his most private moments, he spoke of his fear of death which he elevated to tragic heights when, in fact, it was just a narcissism. "

The most resonant answer to "Why is life worth living?": "Well, there're certain things that I guess make it worthwhile. Like what? For me, I would say, Groucho Marx, to name one thing.. and Willie Mays, and the second movement of the Jupiter Symphony, and er.. Louie Armstrong recording of "Potatohead Blues", Swedish movies, naturally, Sentimental Education by Flaubert, Marlon Brando, Frank Sinatra, those incredible apples and peas by Cezanne, the crabs at Sam Wo's, Tracy's face.."

and Mariel Hemingway's little daisy ending: "Not everybody gets corrupted. God, you have to have a little faith in people."

Yale shouted to Issac, We are human beings. You think yourself a god.
Allen is a bit narcissistic, but who doesn't think he is the embodiment of God.

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Extended Reading
  • Jennyfer 2022-03-20 09:01:34

    The relationship between the people and the scene is very strange. The characters are too familiar with the place, and photography often emphasizes a certain sense of strangeness. It's hard to assess the effect of this fragmentation on the film.

  • Gilberto 2021-11-13 08:01:24

    The dilemma shown in this movie is something I will face and try to surpass now and in the future. The film is full of proverbs and aphorisms, and has a profound expression of the relationship between people (especially the intellectual class and art practitioners). They are cowardly, fickle, have no confidence in the future, and are addicted to their own hearts and fantasies. Inability to care about the larger world, and cause trouble within the limited range of one's touch. The busyness, chaos and beauty of New York.

Manhattan quotes

  • Emily: Well, I don't think 17 is too young. Beside that, she's a bright girl.

    Yale: You'll get no argument from me. I think she's terrific. He could do a lot worse. He has done a lot worse. I just think he's wasting his life. You know, he writes that crap for television.

  • Yale: What about Isaac? We can't abandon him, you know? He can't function anywhere other than New York, you know that. Very Freudian.