My mother-in-law! Woody Allen turned out to be like this!
An excellent movie feels that the plot doesn't need to be too complicated, the voice and what the camera expresses are more important, so it looks good
A long shot of the part where the ex-wife publishes the book they read about him with background sound
Mary and Isaac got a call from ex-boyfriend Yael after they got together, and we all saw the movie and guessed the impact of the call, but the director let the story continue, even before the call The scene of the four people is more harmonious (there have been in other movies, but this movie doesn't have the wink of them meeting after the phone call or the performance of what happens when they look at it, he doesn't show it) and then tell you after a few scenes Yes, it stretched the matter and brought us back to the male lead's point of view because we didn't see what happened after the call. . That's how it should be shot
Isaac talks eloquently: It's only when he realizes how much he has feelings for Tracy (he's really self-centered and mean enough) that Yael's wife says to him "You know what? I'm really annoyed with you, If you don't introduce Marie and Yale, you won't happen.
At the end, after Isaac and Mary broke up, they went to Trish again (Tracy was going to a foreign country), ran away, and the music changed, but it was obvious that he was in Yong and moving himself. This scene is also very fun, normal shooting When the hero sees the heroine and says a word of retention, it's over. This movie can be said to be long-winded. Another way of saying it is to show you the scenes of parting (no need to say anything that seems to have its own sadness and romance.) It's not like that) Isaac keeps talking until there's nothing to say and we're so disappointed in him, this man!
I watched Hitchcock a few days ago and now I think of parting, and I think of "Dr. Edward". Bergman and Pike saw two parting people kissing goodbye at the train station, and they kissed and then got on the train together?
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