[Brief Comment] When Hope Dies Out - Essays from "Carrie the Witch"

Horacio 2022-04-20 09:01:40

One of the biggest regrets of the Louzhu movie in 2013 was not being able to see the new version of "Carrie the Witch" starring the little goddess Chloe. . . This wish was finally fulfilled this year. . . As the first movie I saw this year, this version of "Carrie" lived up to my expectations to say the least - as an R-rated horror remake, if you give the film a compliment from an artistic point of view and viewability Excessive expectations are unreasonable in my opinion. And from a certain point of view, this "Witch Carrie" can be said to be a genre film specially made for fans of Chloe Moretz, including myself. Of course, the performance of the little goddess in this film cannot be It can be described as perfect, but as a 17-year-old girl, I can single-handedly complete the performance and interpretation of a movie with a single-protagonist structure. I think Kolo has done a very, very good job. . . Silently praise the little goddess first. . .

And what I want to say briefly here today is about the metaphor and meaning of this movie, or the story of Carrie the Witch. Before watching this movie, I hadn't seen the old 1976 movie, but I had read Stephen King's original book very seriously. . . I think that although this work is often labelled as "horror", I don't feel any "horror" in it - so far, one of the most terrifying works I think is probably Howard Philip Lovecraft's "The Myth of Cthulhu" - what really makes me uncomfortable about "Carrie the Witch" is its sadness, its despair, which projects Carrie's tragedy and destruction The horror of reality - I once wrote such a Weibo: "After reading from my best friend~ I think Carrie's despair and helplessness seem to exist in everyone's life, and everyone always There are some fresh and beautiful hopes that will eventually be crushed and broken by life cruelly.. just to different degrees.. as written on the back cover of the book, this story goes deep inside and asks the soul"...


yours The eyes are full of pure yearning/And the reality is so cruel and ruthless

Although the 2013 version of "Witch Carrie" moved the story to the 21st century, from the main plot and many details, this film is still very loyal to the original. I once saw a film review on Time.com that the characters in this movie were too facialized. I don’t think it’s the film’s fault. The story itself is a metaphorical and facialized story—Carrie is a symbol of each of us. Beautiful and innocent dreams, Chris and other girls symbolize the vulgar and cold reality, and Carrie's mother, I have not fully figured out whether it symbolizes the hypocrisy of the world, or the worry about abstinence and religious fanaticism, or other. . . . Although Carrie has those terrifying superpowers, in fact, in the framework of the whole story, she is actually an ordinary girl - she longs for beautiful and sexy clothes, and she, like all girls, wants to hold a girl Beautiful boy's arms walk into the prom scene. . The moment when Kolo, who was wearing a long prom dress, appeared on the stage, was so amazing. . But the most cruel polarities of reality smashed this common but so fragile dream - when the bucket of dark red blood was poured down, all hopes were extinguished, and all dreams collapsed. . . When Carrie crouched on Tommy's body and cried, in the center of the shocking pool of blood seemed to be a beautiful hope that had already died and was still bleeding. The world could not contain a girl's beautiful dream, so in the dark moment when hope was extinct, kindness , conscience and reason withered away, everyone destroyed Carrie's hope, and the ghost that exploded after hope was dead in turn destroyed everyone. . . Carrie's madness is actually the film's cautionary tale—you can't imagine the madness that erupts under the weight when all one's hopes are lost. . . The cruelty of reality, I think, is the scariest part of this story.

The big difference between this version of "Carrie" and the original is its ending. . . The paragraph in which Carrie cries with her mother's body in her arms is not in the book. . . When Chloe cried out to Sue "I want my mom back", it was so heart-wrenching - this girl was still kind, even though her mother had treated her so cruelly and even tried to kill her. . . Facing the ultimate destruction, the girl is so helpless and pitiful. . . Maybe her madness kills a lot of people, but like Sue's monologue at the end of the movie - "But she looks like a normal human / just like you and me / she also has hope and fear / we forced her / until she Collapse" - doesn't each of us have the hope of collapsing in front of reality?


Finally, for the sake of the little goddess, I want to say one more thing: Chloe's actions after Carrie's collapse were indeed exaggerated and contrived. . . Oops. . . But before, the little goddess interpreted Carrie's helplessness, nervousness, and nervousness very well, and the climax of destruction at the end was even more helpless and heartbreaking. This is already very good, very good. . . Originally, I thought the fleshy little goddess was sexy no matter how you looked at it, and in this movie, Khloe's two bath scenes were enough to make my nose bleed. Well, for the metaphor and meaning of this movie, I will give it 7 points. As a brainless fan of the little goddess, I will unconditionally add 2 points - 9 points, dedicated to the first movie I watched in 2014 - "The Witch Carrie".

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Extended Reading

Carrie quotes

  • Tommy Ross: [after the bucket of blood is dumped on Carrie] What the hell!

  • Margaret White: I'm gonna have to tell the boy the truth, that your father took me and you were born of sin.

    Carrie White: You will say nothing.

    Margaret White: [Carrie turns from Margaret and makes her way downstairs] And from that sin...

    Margaret White: [Carrie is downstairs and Margaret's right behind her] From that sin was born another, the worst sin. A man or a woman who is a with, you are to be put to death you are to be stoned...

    Carrie White: [Carrie stops and turns to Margaret. Carrie flexes. Margaret's body stops completely] I'm warning you, mama.

    Margaret White: The Devil's hand.

    Carrie White: Please don't do this.

    Margaret White: There will be a judgement... Carrie. As Jezabel fell from the tower, you too will...

    [Carrie flexes. Margaret's mouth shuts]